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A book of heroic dimensions, this is the first full-length biography of one of the greatest artists of the twentieth centurya man as fascinating, difficult, and compelling as the paintings he produced. Drawing on exclusive access to Mark Rothko's personal papers and over one hundred interviews with artists, patrons, and dealers, James Breslin tells the story of a life in art the personal costs and professional triumphs, the convergence of genius and ego, the clash of culture and commerce. Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in-depth portrait…mehr

Produktbeschreibung
A book of heroic dimensions, this is the first full-length biography of one of the greatest artists of the twentieth centurya man as fascinating, difficult, and compelling as the paintings he produced. Drawing on exclusive access to Mark Rothko's personal papers and over one hundred interviews with artists, patrons, and dealers, James Breslin tells the story of a life in art the personal costs and professional triumphs, the convergence of genius and ego, the clash of culture and commerce. Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in-depth portrait of the New York art scene of the 1930s, 1940s, and 1950s the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, and Klein, which would influence artists for generations to come.
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Autorenporträt
James E. B. Breslin (1935-1996) was a professor of English and chair of the Department of Art Practice at the University of California at Berkeley, where he served on the faculty for thirty-two years. His lifelong interest as a scholar lay in twentieth century American poetry and art. His first book was William Carlos Williams: An American Artist, published by the University of Chicago Press in 1970. This was followed by From Modern to Contemporary, which the Press published in 1984. Mark Rothko: A Biography, which the Press first released in 1993 is his best-known book, and marked a turn from poetry to American painting at its most radical moment: the emergence of Abstract Expressionism, displayed and explored in the career and life of one of its masters.