Literature is not only about aesthetics, but also almost equally about the successful marketing of an author and his literary works. Ever since the two great Russian authors, Leonid Andreev and Vladimir Nabokov, created their own literary capital, cultural merchants have been preoccupied with the promotion of their respective posthumous legacies, maintaining the intricate network of personal interests that drive the preservation of literary reputations.
Literature is not only about aesthetics, but also almost equally about the successful marketing of an author and his literary works. Ever since the two great Russian authors, Leonid Andreev and Vladimir Nabokov, created their own literary capital, cultural merchants have been preoccupied with the promotion of their respective posthumous legacies, maintaining the intricate network of personal interests that drive the preservation of literary reputations.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Yuri Leving is professor and chair of the Department of Russian Studies at Dalhousie University. Frederick H. White is the associate dean of the College of Humanities and Social Sciences at Utah Valley University.
Inhaltsangabe
Acknowledgments Introduction PART I: THE ANDREEVS Chapter 1: The Early Visual Marketing of Leonid Andreev Chapter 2: Marketing Strategies: Vadim Andreev in Dialogue with the Soviet Union Chapter 3: The Role of the Scholar in the Consecration of Leonid Andreev (1950s to present) Chapter 4: Creating Posthumous Legacies: The Power to Consecrate and to Blaspheme. Vadim Andreev's Memories of Childhood Chapter 5: Market Pressures: Vadim Andreev's Incomplete Memoiristic Journey PART II: THE NABOKOVS Chapter 6: Nabokov and the Publishing Business Chapter 7: Plaster, Marble, Canon: The Vindication of Nabokov in Post-Soviet Russia Chapter 8: The Visual Marketing of Nabokov: Who is the Face of the Russian Lolita? Chapter 9: "Nabokov-7": Russian Postmodernism in Search of a National Identity Chapter 10: Interpreting Voids: Nabokov's Last Incomplete Novel, The Original of Laura Conclusion Bibliography About the Authors
Acknowledgments Introduction PART I: THE ANDREEVS Chapter 1: The Early Visual Marketing of Leonid Andreev Chapter 2: Marketing Strategies: Vadim Andreev in Dialogue with the Soviet Union Chapter 3: The Role of the Scholar in the Consecration of Leonid Andreev (1950s to present) Chapter 4: Creating Posthumous Legacies: The Power to Consecrate and to Blaspheme. Vadim Andreev's Memories of Childhood Chapter 5: Market Pressures: Vadim Andreev's Incomplete Memoiristic Journey PART II: THE NABOKOVS Chapter 6: Nabokov and the Publishing Business Chapter 7: Plaster, Marble, Canon: The Vindication of Nabokov in Post-Soviet Russia Chapter 8: The Visual Marketing of Nabokov: Who is the Face of the Russian Lolita? Chapter 9: "Nabokov-7": Russian Postmodernism in Search of a National Identity Chapter 10: Interpreting Voids: Nabokov's Last Incomplete Novel, The Original of Laura Conclusion Bibliography About the Authors
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