Marketing the Author looks at the careers and the writings of a selection of authors writing in the period 1880-1930 (from the fairly unknown Emilia Dilke and Rosamund Watson to literary celebrities like Henry James, James Joyce and Virginia Woolf) who all impersonated identities which they had created for themselves. It argues that as a result of the socio-economic changes at the time authors had to remain in control of their public image in order to survive.
Marketing the Author looks at the careers and the writings of a selection of authors writing in the period 1880-1930 (from the fairly unknown Emilia Dilke and Rosamund Watson to literary celebrities like Henry James, James Joyce and Virginia Woolf) who all impersonated identities which they had created for themselves. It argues that as a result of the socio-economic changes at the time authors had to remain in control of their public image in order to survive.
LAUREL BRAKE Professor of Literature and Print Culture, Birkbeck College, University of London, UK EDWARD BISHOP Professor of English, University of Alberta, Canada ANNETTE R. FEDERICO Teaches English at James Madison University, Virginia, USA HILARY FRASER Geoffrey Tillotson Chair in Nineteenth-Century Studies, Birkbeck College, University of London, UK MOLLY HITE Professor of English, Cornell University, USA LINDA K. HUGHES Addie Levy Professor of Literature, Texas Christian University, Fort Worth, Texas, USA ELIZABETH MANSFIELD Associate Professor and Chair of Art and Art History, University of the South, Sewanee, Tennessee, USA JOHN PEARSON Nell Carlton Professor of English, Stetson University, DeLand, Florida, USA TALIA SCHAFFER Associate Professor at Queens College, CUNY, USA ROBERT SQUILLACE Master Teacher of Cultural Foundations, General Studies Program, New York University, USA
Inhaltsangabe
List of Illustrations Acknowledgements Notes on Contributors Introduction; M.Demoor Emilia Dilke: Self-Fashioning and the Nineteenth Century; E.Mansfield The Art of Self Creation: Henry James in the New York Edition Prefaces; J.H.Pearson 'Who is 'We'?': The 'Daily Paper' Projects and the Journalism Manifestos of W.T.Stead; L.Brake A Novelist of Character: Becoming Lucas Malet; T.Shaffer Irony, Ethics, and Self-fashioning in George Moore's Confessions of a Young Man; A.Federico Interstitial Identities: Vernon Lee and the spaces in-between; H.Fraser A Woman Poet Angling for Notice: Rosamund Marriott Watson; L.K.Hughes Arnold Bennett's Other Selves; R.Squillace Perpetuating Joyce; E.Bishop Making Room for the Woman of Genius: Virginia Woolf, Elizabeth Robins, and 'Modernism's Other' as Mother; M.Hite Index
List of Illustrations Acknowledgements Notes on Contributors Introduction; M.Demoor Emilia Dilke: Self-Fashioning and the Nineteenth Century; E.Mansfield The Art of Self Creation: Henry James in the New York Edition Prefaces; J.H.Pearson 'Who is 'We'?': The 'Daily Paper' Projects and the Journalism Manifestos of W.T.Stead; L.Brake A Novelist of Character: Becoming Lucas Malet; T.Shaffer Irony, Ethics, and Self-fashioning in George Moore's Confessions of a Young Man; A.Federico Interstitial Identities: Vernon Lee and the spaces in-between; H.Fraser A Woman Poet Angling for Notice: Rosamund Marriott Watson; L.K.Hughes Arnold Bennett's Other Selves; R.Squillace Perpetuating Joyce; E.Bishop Making Room for the Woman of Genius: Virginia Woolf, Elizabeth Robins, and 'Modernism's Other' as Mother; M.Hite Index
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