Often called the Picasso, Stravinksy, or Frank Lloyd Wright of the dance world, Martha Graham revolutionized ballet stages across the globe. Using newly discovered archival sources, choreographer and award-winning dance historian Mark Franko reframes Graham's most famous creations, those from the World War II era, by showing how she wove together strands of love, passion, politics, and myth.
Often called the Picasso, Stravinksy, or Frank Lloyd Wright of the dance world, Martha Graham revolutionized ballet stages across the globe. Using newly discovered archival sources, choreographer and award-winning dance historian Mark Franko reframes Graham's most famous creations, those from the World War II era, by showing how she wove together strands of love, passion, politics, and myth.
Mark Franko is Professor of Dance at Temple University and Editor of Dance Research Journal.
Inhaltsangabe
Introduction 1. Myth, Nationalism and Embodiment in American Document 2. Politics Under Erasure: Regionalism as Cryptology 3. The Invention of Martha Graham: Emergence and the Strictures 4. Jocasta at Colonus: Post-Freudian Landscapes 5. "A Possible Somewhere (an impossible scene setting)" Bibliography Index
Introduction 1. Myth, Nationalism and Embodiment in American Document 2. Politics Under Erasure: Regionalism as Cryptology 3. The Invention of Martha Graham: Emergence and the Strictures 4. Jocasta at Colonus: Post-Freudian Landscapes 5. "A Possible Somewhere (an impossible scene setting)" Bibliography Index
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