A multidisciplinary study of the art and science of botany in Shakespeare’s time, Marvellous Vegetables in the English Renaissance excavates plant natural history as a vital resource for reimagining categories of embodiment, including gender and sex.
A multidisciplinary study of the art and science of botany in Shakespeare’s time, Marvellous Vegetables in the English Renaissance excavates plant natural history as a vital resource for reimagining categories of embodiment, including gender and sex.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Vin Nardizzi is a professor in the Department of English Language and Literatures at the University of British Columbia.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction Part One: Leeks 1. Like a Leek: Transplant Figures in Natural History, the Leek Family, and the Porrophagus of Henry V 2. As Green as Leeks: Vegetable Blazons, Leaky Eyes, and the Transplant Poetics of Arcimboldo and Shakespeare Part Two: Laurels 3. In Pursuit of Laurels: Description, Ovid’s Plant-Blazons, and Les Mains of Daphne 4. In Praise of Daphnes: Philodendrism, Two Elizabethan Laurels, and "that well timber’d body" Part Three: Tulips 5. Tulips (I): Counting Infinite Kinds, Nature’s Face-Paintings, and Two Tulip Miniatures 6. Tulips (II): Tracking Two Turban Errors, Bellicose Flowers, and Three Talkative Tulips Part Four: Potatoes 7. The Real Potatoes of Peru: Gerard’s Signature Plant, Mixed Roots, and the Golden Potatoes of The Merry Wives of Windsor Epilogue: Gerard’s "Fatal Crime": Barnacle Geese, the Most Marvellous of All Vegetables Notes Bibliography Index
List of Illustrations Acknowledgments Introduction Part One: Leeks 1. Like a Leek: Transplant Figures in Natural History, the Leek Family, and the Porrophagus of Henry V 2. As Green as Leeks: Vegetable Blazons, Leaky Eyes, and the Transplant Poetics of Arcimboldo and Shakespeare Part Two: Laurels 3. In Pursuit of Laurels: Description, Ovid’s Plant-Blazons, and Les Mains of Daphne 4. In Praise of Daphnes: Philodendrism, Two Elizabethan Laurels, and "that well timber’d body" Part Three: Tulips 5. Tulips (I): Counting Infinite Kinds, Nature’s Face-Paintings, and Two Tulip Miniatures 6. Tulips (II): Tracking Two Turban Errors, Bellicose Flowers, and Three Talkative Tulips Part Four: Potatoes 7. The Real Potatoes of Peru: Gerard’s Signature Plant, Mixed Roots, and the Golden Potatoes of The Merry Wives of Windsor Epilogue: Gerard’s "Fatal Crime": Barnacle Geese, the Most Marvellous of All Vegetables Notes Bibliography Index
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