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Leigh Claire La Berge revises the medieval form of the bestiary to meet Marxist critique to show how cats have been central to both the consolidation of capitalism as well as some of its most fiercest critics.

Produktbeschreibung
Leigh Claire La Berge revises the medieval form of the bestiary to meet Marxist critique to show how cats have been central to both the consolidation of capitalism as well as some of its most fiercest critics.
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Autorenporträt
Leigh Claire La Berge is Professor of English at Borough of Manhattan Community College, City University of New York, and author of Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art, also published by Duke University Press.