Carolyn W de la L Oulton
Mary Cholmondeley Reconsidered
Carolyn W de la L Oulton
Mary Cholmondeley Reconsidered
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This book provides a necessary critical reappraisal of one of the most challenging and subversive of nineteenth-century women writers.
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This book provides a necessary critical reappraisal of one of the most challenging and subversive of nineteenth-century women writers.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 232
- Erscheinungstermin: 1. November 2009
- Englisch
- Abmessung: 240mm x 161mm x 17mm
- Gewicht: 519g
- ISBN-13: 9781851966516
- ISBN-10: 185196651X
- Artikelnr.: 43597820
- Verlag: Routledge
- Seitenzahl: 232
- Erscheinungstermin: 1. November 2009
- Englisch
- Abmessung: 240mm x 161mm x 17mm
- Gewicht: 519g
- ISBN-13: 9781851966516
- ISBN-10: 185196651X
- Artikelnr.: 43597820
Carolyn W. de la L. Oulton, SueAnn Schatz,
Introduction, Carolyn W. de la L. Oulton, SueAnn Schatz; Part I Defining
Women/Defining Men; Chapter 1 'Social Suicide - Yes': Sensational Legacies
in Diana Tempest, Tamara Wagner; Chapter 2 How to be a Feminist Without
Saying so: The New Woman and the New Man in Red Pottage, SueAnn Schatz;
Chapter 3 'The Bad Women are Better than the Good Ones': The New Woman and
Sexual Fall in the Short Fiction, Carolyn W. de la L. Oulton; Chapter 4
Writing Women: Narration and Literary Culture in the Short Fiction,
Christine Bayles Kortsch; Chapter 5 Cholmondeley'S Fables of Identity,
Benedetta Bini; Part II Creating Identities; Chapter 6 Negotiating the
Terms of Celebrity Culture: Cholmondeley's Prefaces, Linda H. Peterson;
Chapter 7 'I Know that to be Untrue': Belief and Reality in the Short
Fiction, Jennifer M. Stolpa Flatt; Chapter 8 Revising the Gothic: The
Spiritual Female in 'The Ghost of a Chance' and 'The End of the Dream',
Karen Yuen; Chapter 9 Guiding Spir it: Stella Benson's Aunt Mary, Marlene
Baldwin Davis; Part III Past, Present, Future; Chapter 10 Naturalized
Imperialism in The Danvers Jewels : Reworking The Moonstone, Patricia
Murphy; Chapter 11 'Moth and Rust': Cholmondeley's Assessment of the Church
of England, Brenda Ayres; Chapter 12 Dreams of Futurity in 'Votes for Men'
and 'The Dark Cottage', Kirsty Bunting;
Women/Defining Men; Chapter 1 'Social Suicide - Yes': Sensational Legacies
in Diana Tempest, Tamara Wagner; Chapter 2 How to be a Feminist Without
Saying so: The New Woman and the New Man in Red Pottage, SueAnn Schatz;
Chapter 3 'The Bad Women are Better than the Good Ones': The New Woman and
Sexual Fall in the Short Fiction, Carolyn W. de la L. Oulton; Chapter 4
Writing Women: Narration and Literary Culture in the Short Fiction,
Christine Bayles Kortsch; Chapter 5 Cholmondeley'S Fables of Identity,
Benedetta Bini; Part II Creating Identities; Chapter 6 Negotiating the
Terms of Celebrity Culture: Cholmondeley's Prefaces, Linda H. Peterson;
Chapter 7 'I Know that to be Untrue': Belief and Reality in the Short
Fiction, Jennifer M. Stolpa Flatt; Chapter 8 Revising the Gothic: The
Spiritual Female in 'The Ghost of a Chance' and 'The End of the Dream',
Karen Yuen; Chapter 9 Guiding Spir it: Stella Benson's Aunt Mary, Marlene
Baldwin Davis; Part III Past, Present, Future; Chapter 10 Naturalized
Imperialism in The Danvers Jewels : Reworking The Moonstone, Patricia
Murphy; Chapter 11 'Moth and Rust': Cholmondeley's Assessment of the Church
of England, Brenda Ayres; Chapter 12 Dreams of Futurity in 'Votes for Men'
and 'The Dark Cottage', Kirsty Bunting;
Introduction, Carolyn W. de la L. Oulton, SueAnn Schatz; Part I Defining
Women/Defining Men; Chapter 1 'Social Suicide - Yes': Sensational Legacies
in Diana Tempest, Tamara Wagner; Chapter 2 How to be a Feminist Without
Saying so: The New Woman and the New Man in Red Pottage, SueAnn Schatz;
Chapter 3 'The Bad Women are Better than the Good Ones': The New Woman and
Sexual Fall in the Short Fiction, Carolyn W. de la L. Oulton; Chapter 4
Writing Women: Narration and Literary Culture in the Short Fiction,
Christine Bayles Kortsch; Chapter 5 Cholmondeley'S Fables of Identity,
Benedetta Bini; Part II Creating Identities; Chapter 6 Negotiating the
Terms of Celebrity Culture: Cholmondeley's Prefaces, Linda H. Peterson;
Chapter 7 'I Know that to be Untrue': Belief and Reality in the Short
Fiction, Jennifer M. Stolpa Flatt; Chapter 8 Revising the Gothic: The
Spiritual Female in 'The Ghost of a Chance' and 'The End of the Dream',
Karen Yuen; Chapter 9 Guiding Spir it: Stella Benson's Aunt Mary, Marlene
Baldwin Davis; Part III Past, Present, Future; Chapter 10 Naturalized
Imperialism in The Danvers Jewels : Reworking The Moonstone, Patricia
Murphy; Chapter 11 'Moth and Rust': Cholmondeley's Assessment of the Church
of England, Brenda Ayres; Chapter 12 Dreams of Futurity in 'Votes for Men'
and 'The Dark Cottage', Kirsty Bunting;
Women/Defining Men; Chapter 1 'Social Suicide - Yes': Sensational Legacies
in Diana Tempest, Tamara Wagner; Chapter 2 How to be a Feminist Without
Saying so: The New Woman and the New Man in Red Pottage, SueAnn Schatz;
Chapter 3 'The Bad Women are Better than the Good Ones': The New Woman and
Sexual Fall in the Short Fiction, Carolyn W. de la L. Oulton; Chapter 4
Writing Women: Narration and Literary Culture in the Short Fiction,
Christine Bayles Kortsch; Chapter 5 Cholmondeley'S Fables of Identity,
Benedetta Bini; Part II Creating Identities; Chapter 6 Negotiating the
Terms of Celebrity Culture: Cholmondeley's Prefaces, Linda H. Peterson;
Chapter 7 'I Know that to be Untrue': Belief and Reality in the Short
Fiction, Jennifer M. Stolpa Flatt; Chapter 8 Revising the Gothic: The
Spiritual Female in 'The Ghost of a Chance' and 'The End of the Dream',
Karen Yuen; Chapter 9 Guiding Spir it: Stella Benson's Aunt Mary, Marlene
Baldwin Davis; Part III Past, Present, Future; Chapter 10 Naturalized
Imperialism in The Danvers Jewels : Reworking The Moonstone, Patricia
Murphy; Chapter 11 'Moth and Rust': Cholmondeley's Assessment of the Church
of England, Brenda Ayres; Chapter 12 Dreams of Futurity in 'Votes for Men'
and 'The Dark Cottage', Kirsty Bunting;