This 1998 book examines one of the most influential paintings of the Italian Renaissance. It considers the Trinity in its historical and spiritual contexts, and especially emphasises the extraordinary features of the painting, such as its system of spatial illusionism.
This 1998 book examines one of the most influential paintings of the Italian Renaissance. It considers the Trinity in its historical and spiritual contexts, and especially emphasises the extraordinary features of the painting, such as its system of spatial illusionism.
Introduction: Masaccio's Trinity and the Early Renaissance Rona Goffen; 1. The Florentine elite in the early fifteneenth century Gene Brucker; 2. Masaccio's 'Trinity' and the Letter to the Hebrews Rona Goffen; 3. Masaccio's Fresco technique and Problems of Conservation Ornella Casazza; 4. The Perspective Construction of Masaccio's 'Trinity' Fresco and Medieval Astronomical Graphics Jane Andrews Aiken; 5. Time and timeless in Quattrocento painting Yves Bonnefoy; 6. Masaccio's skeleton: Art and Anatomy in Renaissance Italy Katharine Park.
Introduction: Masaccio's Trinity and the Early Renaissance Rona Goffen; 1. The Florentine elite in the early fifteneenth century Gene Brucker; 2. Masaccio's 'Trinity' and the Letter to the Hebrews Rona Goffen; 3. Masaccio's Fresco technique and Problems of Conservation Ornella Casazza; 4. The Perspective Construction of Masaccio's 'Trinity' Fresco and Medieval Astronomical Graphics Jane Andrews Aiken; 5. Time and timeless in Quattrocento painting Yves Bonnefoy; 6. Masaccio's skeleton: Art and Anatomy in Renaissance Italy Katharine Park.
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