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A socio-cultural analysis of French New Wave cinema, with a focus on issues of gender and the construction of sexual identities.

Produktbeschreibung
A socio-cultural analysis of French New Wave cinema, with a focus on issues of gender and the construction of sexual identities.
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Autorenporträt
Geneviève Sellier is Professor of Film Studies at the University of Caen. Her books include Jean Grémillon: Le cinéma est à vous and La Drôle de guerre des sexes du cinéma français, 1930–1956 (with Noël Burch). Kristin Ross is Professor of Comparative Literature at New York University. She is the author, most recently, of May ’68 and Its Afterlives and Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture.