Masculinities and Representation
The Eroticized Male in Early Modern Italy and England
Herausgeber: Eisenbichler, Konrad
Masculinities and Representation
The Eroticized Male in Early Modern Italy and England
Herausgeber: Eisenbichler, Konrad
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Masculinities and Representation reveals how gender construction served to affirm but also diversify premodern masculinity.
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Masculinities and Representation reveals how gender construction served to affirm but also diversify premodern masculinity.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Seitenzahl: 268
- Erscheinungstermin: 21. November 2024
- Englisch
- Abmessung: 229mm x 152mm x 25mm
- Gewicht: 522g
- ISBN-13: 9781487556976
- ISBN-10: 1487556977
- Artikelnr.: 70288442
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: University of Toronto Press
- Seitenzahl: 268
- Erscheinungstermin: 21. November 2024
- Englisch
- Abmessung: 229mm x 152mm x 25mm
- Gewicht: 522g
- ISBN-13: 9781487556976
- ISBN-10: 1487556977
- Artikelnr.: 70288442
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Edited by Konrad Eisenbichler
List of Illustrations
Contributors
Acknowledgments
Introduction
James M. Saslow
Part I. Religion, Heavenly Art, Earthly Bodies
1. Bathing and Bonding: Sensual Male Imagery in Italian Paintings of
Baptism
Steven F.H. Stowell
2. Blasphemous or Beautiful? Leonardo da Vinci’s St John the Baptist, Holy
Masculinity, and Its Ambiguities ca. 1500
Anne L. Williams
3. Sharing a Bed with Dominic: Celibacy and Masculinity in the Cult of St.
Vincent Ferrer
Laura Ackerman Smoller
4. The Body of Christ: Suffering and Desire in Gianfrancesco Pico della
Mirandola’s De Venere et Cupidine Expellendis
Marco Piana
Part II. Women and Men: Masculinity, Effeminacy, and Desire
5. A Dio Zerbini a Dio, a Dio Narcisi: Satirizing Effeminacy in Margherita
Costa’s Florentine Works (1638-1641)
Sara E. Díaz
6. Masculine-Feminine Dichotomy in the Sixteenth Century: Mythological
Donna con Donna Images from Fontainebleau and Northern Italy
Tara White
Part III. Knowledge and Emotions: Forbidden and Required
7. Wounded Histories on the Stages of Old and New Worlds: Vivaldi’s
Motezuma and the Cries of Conquest
Kate Driscoll
8. Male Courtly Feeling and the Historical Performativity of Shyness in A
Midsummer Night’s Dream
Tiffany Hoffman
9. Latin Epigrams and Early Modern Sexual Knowledge: Or, How Jonson Read
His Martial
Ian Frederick Moulton
Index
Contributors
Acknowledgments
Introduction
James M. Saslow
Part I. Religion, Heavenly Art, Earthly Bodies
1. Bathing and Bonding: Sensual Male Imagery in Italian Paintings of
Baptism
Steven F.H. Stowell
2. Blasphemous or Beautiful? Leonardo da Vinci’s St John the Baptist, Holy
Masculinity, and Its Ambiguities ca. 1500
Anne L. Williams
3. Sharing a Bed with Dominic: Celibacy and Masculinity in the Cult of St.
Vincent Ferrer
Laura Ackerman Smoller
4. The Body of Christ: Suffering and Desire in Gianfrancesco Pico della
Mirandola’s De Venere et Cupidine Expellendis
Marco Piana
Part II. Women and Men: Masculinity, Effeminacy, and Desire
5. A Dio Zerbini a Dio, a Dio Narcisi: Satirizing Effeminacy in Margherita
Costa’s Florentine Works (1638-1641)
Sara E. Díaz
6. Masculine-Feminine Dichotomy in the Sixteenth Century: Mythological
Donna con Donna Images from Fontainebleau and Northern Italy
Tara White
Part III. Knowledge and Emotions: Forbidden and Required
7. Wounded Histories on the Stages of Old and New Worlds: Vivaldi’s
Motezuma and the Cries of Conquest
Kate Driscoll
8. Male Courtly Feeling and the Historical Performativity of Shyness in A
Midsummer Night’s Dream
Tiffany Hoffman
9. Latin Epigrams and Early Modern Sexual Knowledge: Or, How Jonson Read
His Martial
Ian Frederick Moulton
Index
List of Illustrations
Contributors
Acknowledgments
Introduction
James M. Saslow
Part I. Religion, Heavenly Art, Earthly Bodies
1. Bathing and Bonding: Sensual Male Imagery in Italian Paintings of
Baptism
Steven F.H. Stowell
2. Blasphemous or Beautiful? Leonardo da Vinci’s St John the Baptist, Holy
Masculinity, and Its Ambiguities ca. 1500
Anne L. Williams
3. Sharing a Bed with Dominic: Celibacy and Masculinity in the Cult of St.
Vincent Ferrer
Laura Ackerman Smoller
4. The Body of Christ: Suffering and Desire in Gianfrancesco Pico della
Mirandola’s De Venere et Cupidine Expellendis
Marco Piana
Part II. Women and Men: Masculinity, Effeminacy, and Desire
5. A Dio Zerbini a Dio, a Dio Narcisi: Satirizing Effeminacy in Margherita
Costa’s Florentine Works (1638-1641)
Sara E. Díaz
6. Masculine-Feminine Dichotomy in the Sixteenth Century: Mythological
Donna con Donna Images from Fontainebleau and Northern Italy
Tara White
Part III. Knowledge and Emotions: Forbidden and Required
7. Wounded Histories on the Stages of Old and New Worlds: Vivaldi’s
Motezuma and the Cries of Conquest
Kate Driscoll
8. Male Courtly Feeling and the Historical Performativity of Shyness in A
Midsummer Night’s Dream
Tiffany Hoffman
9. Latin Epigrams and Early Modern Sexual Knowledge: Or, How Jonson Read
His Martial
Ian Frederick Moulton
Index
Contributors
Acknowledgments
Introduction
James M. Saslow
Part I. Religion, Heavenly Art, Earthly Bodies
1. Bathing and Bonding: Sensual Male Imagery in Italian Paintings of
Baptism
Steven F.H. Stowell
2. Blasphemous or Beautiful? Leonardo da Vinci’s St John the Baptist, Holy
Masculinity, and Its Ambiguities ca. 1500
Anne L. Williams
3. Sharing a Bed with Dominic: Celibacy and Masculinity in the Cult of St.
Vincent Ferrer
Laura Ackerman Smoller
4. The Body of Christ: Suffering and Desire in Gianfrancesco Pico della
Mirandola’s De Venere et Cupidine Expellendis
Marco Piana
Part II. Women and Men: Masculinity, Effeminacy, and Desire
5. A Dio Zerbini a Dio, a Dio Narcisi: Satirizing Effeminacy in Margherita
Costa’s Florentine Works (1638-1641)
Sara E. Díaz
6. Masculine-Feminine Dichotomy in the Sixteenth Century: Mythological
Donna con Donna Images from Fontainebleau and Northern Italy
Tara White
Part III. Knowledge and Emotions: Forbidden and Required
7. Wounded Histories on the Stages of Old and New Worlds: Vivaldi’s
Motezuma and the Cries of Conquest
Kate Driscoll
8. Male Courtly Feeling and the Historical Performativity of Shyness in A
Midsummer Night’s Dream
Tiffany Hoffman
9. Latin Epigrams and Early Modern Sexual Knowledge: Or, How Jonson Read
His Martial
Ian Frederick Moulton
Index