This book follows a close textual analysis approach and offers a gender reading of post-millennial popular romance heroes. It suggests that to an extent the male protagonists of these narratives could be described as a platform onto which different forms of dominant masculinity are displayed and coexist without losing their hegemonic status
This book follows a close textual analysis approach and offers a gender reading of post-millennial popular romance heroes. It suggests that to an extent the male protagonists of these narratives could be described as a platform onto which different forms of dominant masculinity are displayed and coexist without losing their hegemonic status
Eirini Arvanitaki is a teaching associate in the Department of Social Sciences at the Hellenic Open University in Patras, Greece.
Inhaltsangabe
Introduction Chapter 1. Hegemonic Masculinity and the Romance Hero Chapter 2. Transnational Business Masculinities in Popular Romance Fiction Chapter 3. Hybrid Masculine Bloc in Popular Romance Fiction Chapter 4. Body and Beauty in Popular Romance Fiction Chapter 5. 'Lesser' Masculinities Conclusion
Introduction
Chapter 1. Hegemonic Masculinity and the Romance Hero
Chapter 2. Transnational Business Masculinities in Popular Romance Fiction
Chapter 3. Hybrid Masculine Bloc in Popular Romance Fiction
Chapter 4. Body and Beauty in Popular Romance Fiction
Introduction Chapter 1. Hegemonic Masculinity and the Romance Hero Chapter 2. Transnational Business Masculinities in Popular Romance Fiction Chapter 3. Hybrid Masculine Bloc in Popular Romance Fiction Chapter 4. Body and Beauty in Popular Romance Fiction Chapter 5. 'Lesser' Masculinities Conclusion
Introduction
Chapter 1. Hegemonic Masculinity and the Romance Hero
Chapter 2. Transnational Business Masculinities in Popular Romance Fiction
Chapter 3. Hybrid Masculine Bloc in Popular Romance Fiction
Chapter 4. Body and Beauty in Popular Romance Fiction
Chapter 5. 'Lesser' Masculinities
Conclusion
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