Andere Kunden interessierten sich auch für
![Greek Tragedy on the American Stage]( "Greek Tragedy on the American Stage")
Greek Tragedy on the American Stage101,99 €![How Greek Tragedy Works]( "How Greek Tragedy Works")
How Greek Tragedy Works194,99 €![Reaching Athens]( "Reaching Athens")
Reaching Athens81,70 €![Understanding Greek Tragic Theatre]( "Understanding Greek Tragic Theatre")
Understanding Greek Tragic Theatre197,99 €![The Mask Handbook]( "The Mask Handbook")
The Mask Handbook197,99 €![Ideas and Forms of Tragedy from Aristotle to the Middle Ages]( "Ideas and Forms of Tragedy from Aristotle to the Middle Ages")
Ideas and Forms of Tragedy from Aristotle to the Middle Ages145,99 €![The Cambridge Companion to Greek and Roman Theatre]( "The Cambridge Companion to Greek and Roman Theatre")
The Cambridge Companion to Greek and Roman Theatre122,99 €
Why did Greek actors in the age of Sophocles always wear masks? David Wiles provides the first book-length study of this question. He surveys the evidence of vases and other monuments, arguing that they portray masks as part of a process of transformation, and that masks were never seen in the fifth century as autonomous objects. Wiles goes on to examine experiments with the mask in twentieth-century theatre, tracing a tension between the use of masks for possession and for alienation, and he identifies a preference among modern classical scholars for alienation. Wiles declines to distinguish the political aims of Greek tragedy from its religious aims, and concludes that an understanding of the mask allows us to see how Greek acting was simultaneously text-centred and body-centred. This book challenges orthodox views about how theatre relates to ritual, and provides insight into the creative work of the actor.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.