Examines the economic and spatial importance of performance arts in West Africa through a close analysis of the masquerade culture of Calabar, the capital city of Nigeria's Cross River State.
Examines the economic and spatial importance of performance arts in West Africa through a close analysis of the masquerade culture of Calabar, the capital city of Nigeria's Cross River State.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Rochester Studies in African History and the Diaspora
JORDAN A. FENTON is Associate Professor of Art History at Miami University (Ohio). He has carried out fieldwork in Calabar (Nigeria) since 2008.
Inhaltsangabe
Preface and Acknowledgments Part I: Setting the Urban Stage Chapter 1: Introduction, Masquerade as an Artistic Pulse of the City Chapter 2: "Face No Fear Face:" Unmasking Youths Part II: Space Chapter 3: "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space Chapter 4: "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance Chapter 5: "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance Part III: Money Chapter 6: "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa Chapter 7: "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies Chapter 8: "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage Part IV: Local Voices Chapter 9: "I know Myself:" Masquerade as an Artistic Transformation Coda: "I Think About my Kids and Feeding Them" References
Preface and Acknowledgments Part I: Setting the Urban Stage Chapter 1: Introduction, Masquerade as an Artistic Pulse of the City Chapter 2: "Face No Fear Face:" Unmasking Youths Part II: Space Chapter 3: "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space Chapter 4: "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance Chapter 5: "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance Part III: Money Chapter 6: "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa Chapter 7: "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies Chapter 8: "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage Part IV: Local Voices Chapter 9: "I know Myself:" Masquerade as an Artistic Transformation Coda: "I Think About my Kids and Feeding Them" References
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
