Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain explores how visual culture â including painting, collage, film, and photography â was used by Mass-Observation in the late 1930s to understand, document, and ultimately complicate ideas of national identity during a particularly turbulent period of British
Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain explores how visual culture â including painting, collage, film, and photography â was used by Mass-Observation in the late 1930s to understand, document, and ultimately complicate ideas of national identity during a particularly turbulent period of BritishHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
British Art: Histories and Interpretations since 1700
Lucy Curzon holds a PhD in Visual Culture Studies and is Associate Professor of Art History at the University of Alabama. She has previously published work on contemporary portrait painting, as well as on the Ashington Group and Humphrey Spender.
Inhaltsangabe
Contents List of Illustrations Acknowledgements Introduction: Unprofessional Painting: Mass-Observation and Visual Culture 1. Another Place in Time: Humphrey Spender's Northern Photographs 2. Julian Trevelyan: 'Jekyll and Hyde' 3. The Euston Road in Worktown 4. May the Twelfth and Spare Time Conclusion: 'Signs that Say What You Want Them to Say': Mass-Observation in Contemporary Contexts Bibliography
Contents List of Illustrations Acknowledgements Introduction: Unprofessional Painting: Mass-Observation and Visual Culture 1. Another Place in Time: Humphrey Spender's Northern Photographs 2. Julian Trevelyan: 'Jekyll and Hyde' 3. The Euston Road in Worktown 4. May the Twelfth and Spare Time Conclusion: 'Signs that Say What You Want Them to Say': Mass-Observation in Contemporary Contexts Bibliography
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