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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Massimo Milano (born Torino, 1967) is an ethnomusicologist, critic and sound experimentalist. Member of "A.I.STU.GIA" (Italian Association for Japanese Studies, Venice) and of the International Jury of the Down Beat Annual Critics Poll (USA), he has been editor-in-chief of the monthly magazine "Finis Terrae" , for which he interviewed Zimbabwe's musical icon in exile Thomas Mapfumo. In addition, he regularly contributes to several Italian and Spanish leading…mehr

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Massimo Milano (born Torino, 1967) is an ethnomusicologist, critic and sound experimentalist. Member of "A.I.STU.GIA" (Italian Association for Japanese Studies, Venice) and of the International Jury of the Down Beat Annual Critics Poll (USA), he has been editor-in-chief of the monthly magazine "Finis Terrae" , for which he interviewed Zimbabwe's musical icon in exile Thomas Mapfumo. In addition, he regularly contributes to several Italian and Spanish leading newspapers and magazines (Il Manifesto, Jam, Rumore, Jazzit, Il Giornale della Musica, Carnet, Amadeus, Playboy, Cuadernos de Jazz). His activity also includes extensive studies, researches and essays on contemporary Brazilian music (Música Popular Brasileira), its social implications and its leading role in the collective imagination as a paradigm of the so-called "World" sound. He co-authored the "Encyclopedia of Rock", recently re-published by Arcana Editrice, and during the 90's he actively collaborated as a consultant both for Blue Note artists the Doky Brothers and pianist Niels Lan Doky, for whom he wrote the liner notes for the album "Haitek Haiku", produced by Gino Vannelli.