Not long after the Druids came to Eire, the Bards mysteriously vanished from the annals of history, fleeing their native shores to begin life on a remote chain of islands ... the Bardic Isles. Over two hundred years later, a village boy is born with a gift of music that hasn't been seen since the exodus from Eire. Not understanding what he possesses, seven-year-old Kaelin is convinced his music is responsible for an unforgivable act. Suffused with guilt, he plays his homemade flute only in the privacy of the woods and buries it every night before returning home. Four years later, a Master Bard…mehr
Not long after the Druids came to Eire, the Bards mysteriously vanished from the annals of history, fleeing their native shores to begin life on a remote chain of islands ... the Bardic Isles. Over two hundred years later, a village boy is born with a gift of music that hasn't been seen since the exodus from Eire. Not understanding what he possesses, seven-year-old Kaelin is convinced his music is responsible for an unforgivable act. Suffused with guilt, he plays his homemade flute only in the privacy of the woods and buries it every night before returning home. Four years later, a Master Bard visits the village and plays the music Kaelin played in the woods the night before. To the boy's shock, no one is hurt by it. When the Master leaves, Kaelin faces a decision ... can he bring himself to follow the only person who might be able to free the torturous music within him? And if his music is freed, can he live with the consequences?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marla Himeda is a lifelong musician who has taught piano and clarinet for eighteen years at Punahou Schools and for over half a century in her own studio. She teaches her own theory and composition courses, coaches ensemble groups, and is a prolific arranger of chamber music for winds. She has performed in the Seattle Opera House, the Seattle Art Museum, and many concert venues in Hawaii, where she has lived for the past fifty years near Mount Olomana, whose twin peaks sparked the birth of Bardic Mountain. She is a member of the National Music Teachers Association and Opus 5 Winds, and is principal clarinetist for the Honolulu Wind Ensemble. The author will happily lose herself in good stories of any genre, but she has a special love for fantasy. Her books feature the harp, flute, and pipes as the primary Bardic instruments, for, as she regretfully admits, neither the clarinet nor the piano had yet been invented. The Bardic Isles Series is a merging of her two passions-music and writing-and portrays a world that she unabashedly admits loving to escape to. The author believes that we should all have a Master Bergid in our lives, and she was very lucky to have three of them: Michiko Miyamoto and Professor Randolph Hokanson, both amazing piano teachers, and Frances Walton, an inspiring Youth Symphony director.Visit the author at mhimedabooks.com.
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