Offers a long overdue study and reappraisal of the remarkable Japanese art collection at the Cincinnati Art Museum.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr. Sung has served as the curator of Asian art at the Cincinnati Art Museum since 2002. In her 2009 show, Roaring Tigers, Leaping Carp: Decoding the Symbolic Language of Chinese Animal Painting, Dr. Sung drew on ten years of research to present more than 100 paintings that illustrated the use of animal symbolism in Chinese art. Dr Keiko Nakamachi is Professor of Art History at Jissen Women's University, specializing in Japanese art including Edo painting , crafts and prints and her work on the Rinpa school. Her most recent publications include All about Sakai Hoitsu (2011)and Envisioning the Tale of Genji: Media, Gender, and Cultural Production 2008. Dr Masahiko Aizawa, is Professor in the department of Arts at Seijo University.
Inhaltsangabe
Director's Foreword Japanese Art in the Cincinnati Art Museum: A Dialogue between Cincinnati and Japan by Hou-mei Sung The Synthesis of Japanese and Chinese Elements in a Pair of Fan-Decorated Screens: Wakan yugo by Masahiko Aizawa Pictorialization of the Tale of Genji: Painting Format and Its Function by Keiko Nakamachi Catalogue Paintings Ceramics Lacquer Ivory Cloisonné Metal Arms and Armor Masks, Dolls, and Costumes Map and Chronology List of Artists Bibliography Index
Director's Foreword Japanese Art in the Cincinnati Art Museum: A Dialogue between Cincinnati and Japan by Hou-mei Sung The Synthesis of Japanese and Chinese Elements in a Pair of Fan-Decorated Screens: Wakan yugo by Masahiko Aizawa Pictorialization of the Tale of Genji: Painting Format and Its Function by Keiko Nakamachi Catalogue Paintings Ceramics Lacquer Ivory Cloisonné Metal Arms and Armor Masks, Dolls, and Costumes Map and Chronology List of Artists Bibliography Index
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