With seriocomic tone, these elliptical lyrics reveal illusions and exclusions at the heart of America's global narrative of economic "progress," and the attendant loss of cultural identity and memory. At the same time, "Matadora" challenges traditional Fillipina gender norms, beginning with the title which feminizes a word and profession traditionally masculine. Sarah Gambito holds degrees from The University of Virginia and The Creative Writing Program at Brown University. Her poems have appeared in such journals as "The Iowa Review," "The Antioch Review," "The New Republic," "Quarterly West" and "Fence.
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