Material Approaches to Polynesian Barkcloth
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Barkcloth or tapa, a cloth made from the inner bark of trees, was widely used in place of woven cloth in the Pacific islands until the 19th century. A ubiquitous material, it was integral to the lives of islanders and used for clothing, furnishings and ritual artefacts. Material Approaches to Polynesian Barkcloth takes a new approach to the study of the history of this region through its barkcloth heritage, focusing on the plants themselves and surviving objects in historic collections. This object-focused approach has filled gaps in our understanding of the production and use of this material…mehr

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Produktbeschreibung
Barkcloth or tapa, a cloth made from the inner bark of trees, was widely used in place of woven cloth in the Pacific islands until the 19th century. A ubiquitous material, it was integral to the lives of islanders and used for clothing, furnishings and ritual artefacts. Material Approaches to Polynesian Barkcloth takes a new approach to the study of the history of this region through its barkcloth heritage, focusing on the plants themselves and surviving objects in historic collections. This object-focused approach has filled gaps in our understanding of the production and use of this material through an investigation of this unique fabric's physical properties, transformation during manufacture and the regional history of its development in the 18th and 19th centuries.The book is the outcome of a research project which focused on three important collections of barkcloth at The Hunterian, University of Glasgow; Royal Botanic Gardens, Kew and the National Museum of Natural History, Smithsonian Institution. It also looks more widely at the value of barkcloth artefacts in museum collections for enhancing both contemporary practice and a wider appreciation of this remarkable fabric. The contributors include academics, curators, conservators and makers of barkcloth from Oceania and beyond, in an interdisciplinary study which draws together insights from object-based and textual reseach, fieldwork and tapa making, and information on the plants used to make fibres and colourants.This book will be of interest to tapa makers, museum professionals including curators and conservators; academics and students in the fields of anthropology, museum studies and conservation; museum visitors and anyone interested in finding out more about barkcloth.
Autorenporträt
Lennard, Frances§Frances Lennard is Professor of Textile Conservation at the University of Glasgow and was director of the Centre for Textile Conservation and Technical Art History until 2020. Her research interests focus on conservation approaches and methodologies and she is particularly interested in interdisciplinary research. She is the co-editor of Tapestry Conservation: Principles and Practice, with Maria Hayward and Textile Conservation: Advances in Practice, with Patricia Ewer. She was Principal Investigator of the research project, Situating Pacific Barkcloth in Time and Place.

Mills, Andy§Andy Mills is curator for Archaeology and World Cultures at The Hunterian. He is a world art historian, ethnohistorian and anthropologist, with specialist interests in Oceanic art, collections provenance, missionary collecting, textiles, and arms and armour, among other things; he is the co-editor, with Tom Crowley, of Weapons, Culture and the Anthropology Museum. During the project Situating Pacific Barkcloth in Time and Place, Andy's research focused on historical change in the arts of Polynesian barkcloth, analysing the materials and processes of tapa-making, and exploring the histories of barkcloth in the world's museums.