A study of the complex relationship between matter and idea that shaped the nineteenth-century culture of art, and that in turn determined the course of still-current accounts of art's nature and value.
A study of the complex relationship between matter and idea that shaped the nineteenth-century culture of art, and that in turn determined the course of still-current accounts of art's nature and value.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jonah Siegel is Distinguished Professor of English and Co-Director of the British Studies Center at Rutgers University. He has been a Fellow at the National Humanities Center, and a Rome Prize Fellow at the American Academy in Rome, as well as a recipient of a Frederick Burkhardt Fellowship from the American Council of Learned Societies. Aside from numerous articles on literature and the fine arts, he is the author of two books, Desire & Excess: The Nineteenth-Century Culture of Art (2000; Rudikoff Prize winner, 2000), and Haunted Museum: Longing, Travel, and the Art-Romance Tradition (2005), and the editor of The Emergence of the Modern Museum: An Anthology of Nineteenth-Century Sources (2007).
Inhaltsangabe
* Preface: What Goes Without Saying * Introduction: Feeling for Things, or What Really Matters * Part I. INTERESTING * 1: Transfiguration * 2: Desire and the Body of Inspiration * 3: "Strange Aphrodite" * Part II. REMAINS * 4: Matter, Form, and Abstraction in the Reception of Antiquities * 5: The Experience of Form (Bewilderment at the Vatican in George Eliot and Vernon Lee) * 6: Failure and Revision at the Vatican: Some Evidence from the Baedeker (an interchapter) * 7: Ruin and Allegory in Benjamin * Part III. THINGS, PERSONALLY * 8: The Ruined Cathedral, Black Arts, and the Grave in Engraving: Ruskin and the Fatal Excess of Art * 9: Pater at the Museum / Raphael's Fortune
* Preface: What Goes Without Saying * Introduction: Feeling for Things, or What Really Matters * Part I. INTERESTING * 1: Transfiguration * 2: Desire and the Body of Inspiration * 3: "Strange Aphrodite" * Part II. REMAINS * 4: Matter, Form, and Abstraction in the Reception of Antiquities * 5: The Experience of Form (Bewilderment at the Vatican in George Eliot and Vernon Lee) * 6: Failure and Revision at the Vatican: Some Evidence from the Baedeker (an interchapter) * 7: Ruin and Allegory in Benjamin * Part III. THINGS, PERSONALLY * 8: The Ruined Cathedral, Black Arts, and the Grave in Engraving: Ruskin and the Fatal Excess of Art * 9: Pater at the Museum / Raphael's Fortune
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