Materializing Digital Futures

Touch, Movement, Sound and Vision
Herausgeber: Cinque, Toija; Vincent, Jordan Beth

• Gebundenes Buch

Produktbeschreibung

"Offers a way to re-evaluate deeply evocative futures in which humans and intelligent systems increasingly engage in symbiotically connected experiences via continuous flows of data and information exchanges"--

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Produktdetails

• Verlag: Bloomsbury Publishing Plc
• Seitenzahl: 352
• Erscheinungstermin: 24. Februar 2022
• Englisch
• Abmessung: 235mm x 160mm x 33mm
• Gewicht: 766g
• ISBN-13: 9781501361258
• ISBN-10: 1501361252
• Artikelnr.: 62067586

Autorenporträt

Toija Cinque is Associate Professor in Communication (Digital Media) in the School of Communication and Creative Arts at Deakin University, Australia. Published works include: Digital Media Ecologies (forthcoming), Changing Media Landscapes: Visual Networking (2015), Communication, Digital Media and Everyday Life, 2nd edition (2015) and New Media in Everyday Life (2012). Jordan Beth Vincent is Executive Manager and Head of Sales and Strategy for Fika Entertainment (www.fikaent.com). Jordan's interdisciplinary research profile bridges technology (including HCI/human-computer interfaces/motion capture), creative and performing arts. Her research collaborations in the creative industries (cultural labour, gender research) have included co-authoring industry reports for the Ontario Arts Council, the Department of Foreign Affairs and Trade, and VicHealth. Jordan is a Chief Investigator on the ARC Industrial Transformation Hub for Digital Enhanced Living.

Inhaltsangabe

Acknowledgements and Dedications List of Contributors Introduction Contents
page SECTION ONE: SOCIO-AESTHETICS OF SOUND AND SIGHT Chapter One: Virtual
Reality, the Chiasm, and the Doubled Body Angela Ndalianis Chapter Two:
Sensing Sims: Atmospheres, Aesthetics and the Cyborg Player Merlin Seller
Chapter Three: Embodied Audiovisual Experience: The Role of Sound in
Contemporary Screen and Digital Media Darrin Verhagan and Ben Byrne
Chapter Four: Volumetric Black: Post-Cinematic Blackness Triton Mobley
SECTION TWO: MEANING-MAKING IN THE DATA-DRIVEN ERA OF QUANTIFIED MEDIA
Chapter Five: Quantified Me, Curatorial Lives and the Pixelated Spectre of
Self Toija Cinque Chapter Six: Virtual Reality and Kinaesthetic Connection:
Qualities of 'Being There'. Kim Vincs Chapter Seven: Feminist Memes:
Digital Communities, Identity Performance, and Resistance from the Shadows
Shana MacDonald and Brianna I. Wiens Chapter Eight: The Infinite Portrait:
A Case of Post-Human Authorship Andrew McIntyre SECTION THREE: TOUCH, BODY,
METAL, SCREEN Chapter Nine: First Encounters with Robots Through Embodied
Observation, Imagined Narrative, and Choreography Amy LaViers Chapter Ten:
Physical Digitality: Making reality visible through multimodal digital
affordances for Human Perception Luke Heemsbergen, Greg Bowtell and Jordan
Beth Vincent Chapter Eleven: A True Feel: Re-Embodying the Touch Sense in
the Digital Fashion Experience Michela Ornati Chapter Twelve: What Robots
Learn from Performative Relationships and Interactive Performance Steph
Hutchison and John McCormick SECTION FOUR: DIGITAL FUTURES Chapter
Thirteen: Smart Home: Smart Devices and the Everyday Experiences of the
Home Xi Cui Chapter Fourteen: Affect and the Digitalization of War John
MacWillie Chapter Fifteen: Automation in a Myth Luke Munn Chapter Sixteen:
A Triadic Typology of Material Mediation: Ontology, Intentionality and
Vitalism Renata Morais