Max Ernst: Surrealism, Art and Cinema
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  • Broschiertes Buch

An original book on the relationships between art and cinema in the work of Max Ernst. The volume offers a critical approach to Max Ernst (1891-1976) and his life, seen for the first time through the lens of the Seventh Art. Indeed, the media of cinema and film represent a parallel and ever-present path in the artist's wide-ranging career, which connected many individuals and artistic groups and offered original points of view on seven decades of the twentieth century. Ernst was a painter, sculptor, draftsman, graphic artist, poet, and art theorist, who took endless pleasure in…mehr

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Produktbeschreibung
An original book on the relationships between art and cinema in the work of Max Ernst. The volume offers a critical approach to Max Ernst (1891-1976) and his life, seen for the first time through the lens of the Seventh Art. Indeed, the media of cinema and film represent a parallel and ever-present path in the artist's wide-ranging career, which connected many individuals and artistic groups and offered original points of view on seven decades of the twentieth century. Ernst was a painter, sculptor, draftsman, graphic artist, poet, and art theorist, who took endless pleasure in experimentation. His work has massively inspired Surrealist cinema, but also film directors of later years and up to the present. His artistic practice contributed to overcoming traditional and two-dimensional media - painting and drawing - which remained frozen in stillness, experimenting with new techniques that would go Beyond Painting, as the title of his theoretical writing from 1936 recites. Secondly, the kaleidoscopic and unmistakable life of the Dadaist, Surrealist, Romantic, Paraphysicist and Humanist greatly inspired by the Renaissance has become the subject of many films and documentaries. A handsome man with a striking aura, he starred as an actor in notable films and documentaries and also worked as a respected member of film juries and as an original designer of film award trophies. This book is a journey in Max Ernst's work between art and cinema with different media and unpublished materials.
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Autorenporträt
Martina Mazzotta is an academic and curator specialized in philosophy and its relationship with the visual arts, music and science. Her recent exhibition projects have extended and renewed the research on classic modern artists such as Kandinsky, Cage, Dubuffet and Ernst for example, and explored themes between art and science, such as the Wunderkammer and the history of medicine through the skin. She is currently an Associate Fellow at the Warburg Institute, University of London, and active in the promotion of the Warburg Renaissance Project. Jürgen Pech is a German art historian and scientific director of the Max Ernst Museum in Brühl, Germany.