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Presents a compelling thesis articulating the historical character of Yoga, literally the "Western painting” of Japan. Balancing critique and sympathy for the twelve Yoga painters who are its principal protagonists, this investigates the quest for embodiment in some of the most compelling images of modern Japanese art.

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Presents a compelling thesis articulating the historical character of Yoga, literally the "Western painting” of Japan. Balancing critique and sympathy for the twelve Yoga painters who are its principal protagonists, this investigates the quest for embodiment in some of the most compelling images of modern Japanese art.