By turns lyrical and sardonic, this new collection from Katie Donovan is characteristically watery â candid and uncompromising in its refusal to inhabit the safer reaches of the shore. Themes of loss, widowhood and ageing co-exist with observations of her wild garden and its inhabitants, including a mangy fox she helps to survive.
By turns lyrical and sardonic, this new collection from Katie Donovan is characteristically watery â candid and uncompromising in its refusal to inhabit the safer reaches of the shore. Themes of loss, widowhood and ageing co-exist with observations of her wild garden and its inhabitants, including a mangy fox she helps to survive.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Katie Donovan was educated at Trinity College Dublin and the University of California at Berkeley. She has published five books of poetry, all with Bloodaxe Books: Watermelon Man (1993), Entering the Mare (1997), Day of the Dead (2002), Rootling: New & Selected Poems (2010), and Off Duty (2016), which was shortlisted for the Irish Times-Poetry Now Award. She is the author of Irish Women Writers: Marginalised by Whom? (Raven Arts Press, 1988), and has co-edited two anthologies, Dublines (with Brendan Kennelly), published by Bloodaxe Books in 1996, and Ireland's Women: Writings Past and Present (with A. Norman Jeffares and Brendan Kennelly), published by Kyle Cathie (Britain) and Gill and Macmillan (Ireland) in 1994. In 2017 she was awarded the 21st Lawrence O'Shaughnessy Award for Poetry.
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