Magdalena J. Zaborowska uses James Baldwin's house in the south of France as a lens through which to reconstruct his biography and to explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works.
Magdalena J. Zaborowska uses James Baldwin's house in the south of France as a lens through which to reconstruct his biography and to explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works.
Magdalena J. Zaborowska is Professor of Afroamerican and American Studies and the John Rich Faculty Fellow at the Institute for the Humanities at the University of Michigan, and the author and coeditor of several books, including James Baldwin's Turkish Decade: Erotics of Exile, also published by Duke University Press, and How We Found America: Reading Gender through East European Immigrant Narratives.
Inhaltsangabe
Abbreviations ix Acknowledgments xi Introduction. If I Am a Part of the American House and I Am: Vitrines Fragments Reassembled Remnants 1 1. Foundations Facades and Faces: Through the Glass Blackly or Domesticating Claustrophobic Terror 51 2. Home Matter: No House in the World or Reading Transnational Black Queer Domesticity in St. Paul-de-Vence 85 3. Life Material: Haunted Houses and Welcome Tables or The First Teacher the Last Play and Affectations of Disidentification 145 4. Building Metaphors: "Sitting in the Strangest House I Have Ever Known " or Black Heterotopias from Harlem to San Juan to Paris London and Yonkers 213 5. Black Matters of Value: Erasure Overlay Manipulation or Archiving the Invisible House 295 Notes 317 Bibliography 351 Index 377
Abbreviations ix Acknowledgments xi Introduction. If I Am a Part of the American House and I Am: Vitrines Fragments Reassembled Remnants 1 1. Foundations Facades and Faces: Through the Glass Blackly or Domesticating Claustrophobic Terror 51 2. Home Matter: No House in the World or Reading Transnational Black Queer Domesticity in St. Paul-de-Vence 85 3. Life Material: Haunted Houses and Welcome Tables or The First Teacher the Last Play and Affectations of Disidentification 145 4. Building Metaphors: "Sitting in the Strangest House I Have Ever Known " or Black Heterotopias from Harlem to San Juan to Paris London and Yonkers 213 5. Black Matters of Value: Erasure Overlay Manipulation or Archiving the Invisible House 295 Notes 317 Bibliography 351 Index 377
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