Frenchy Lunning is professor of liberal arts at the Minneapolis College of Art and Design.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Frenchy Lunning is professor of liberal arts at the Minneapolis College of Art and Design.
Inhaltsangabe
Contents Dedication to Dr. John A. Lent Introduction Christopher Bolton Part I. Subjects of Desire Hagio Moto’s Nuclear Manga and the Promise of Eco-Feminist Desire Margherita Long Where Is My Place in the World?: Early Shôjo Manga Portrayals of Lesbianism Fujimoto Yukari Translated by Lucy Fraser Between Men, Androids, and Robots: Assaying Mechanical Man in Meiji Literature and Visual Culture Seth Jacobowitz Part II. Bodies in Motion Carbon as Creation: On Tsuji Naoyuki’s Charcoal Anime Paul Roquet Powers of (Dis)Ability: Toward a Bodily Origin in Mushishi Steven R. Anderson South Korea and the Sub-Empire of Anime: Kinesthetics of Subcontracted Animation Production Kim Joon Yang Part III. Boundaries Japanese Cartoon Films Imamura Taihei Translated by Thomas Lamarre From Street Corner to Living Room: Domestication of TV Culture and National Time/Narrative Shun’ya Yoshimi Translated by Jodie Beck Hyperbolic Nationalism: South Korea’s Shadow Animation Industry Kukhee Choo Conceptualizing Anime and the Database Fantasyscape Brian Ruh Part IV. Rescripting History Rebranding Himiko, the Shaman Queen of Ancient History Laura Miller Tezuka’s Buddha at the Tokyo National Museum: An Interview with Matsumoto Nobuyuki Christopher Bolton Genesis at the Shrine: The Votive Art of an Anime Pilgrimage Dale K. Andrews Part V. Repetition, Remediation, Adaptation The Girl at the Center of the World: Gender, Genre, and Remediation in Bishôjo Media Works Forrest Greenwood The Localization of Kiki’s Delivery Service Alexandra Roedder Franchising and Failure: Discourses of Failure within the Japanese-American Speed Racer Franchise Rayna Denison Evangelion as Second Impact: Forever Changing That Which Never Was Andreu Ballús and Alba G. Torrents From Ground Zero to Degree Zero: Akira from Origin to Oblivion Christopher Bolton Contributors
Contents Dedication to Dr. John A. Lent Introduction Christopher Bolton Part I. Subjects of Desire Hagio Moto’s Nuclear Manga and the Promise of Eco-Feminist Desire Margherita Long Where Is My Place in the World?: Early Shôjo Manga Portrayals of Lesbianism Fujimoto Yukari Translated by Lucy Fraser Between Men, Androids, and Robots: Assaying Mechanical Man in Meiji Literature and Visual Culture Seth Jacobowitz Part II. Bodies in Motion Carbon as Creation: On Tsuji Naoyuki’s Charcoal Anime Paul Roquet Powers of (Dis)Ability: Toward a Bodily Origin in Mushishi Steven R. Anderson South Korea and the Sub-Empire of Anime: Kinesthetics of Subcontracted Animation Production Kim Joon Yang Part III. Boundaries Japanese Cartoon Films Imamura Taihei Translated by Thomas Lamarre From Street Corner to Living Room: Domestication of TV Culture and National Time/Narrative Shun’ya Yoshimi Translated by Jodie Beck Hyperbolic Nationalism: South Korea’s Shadow Animation Industry Kukhee Choo Conceptualizing Anime and the Database Fantasyscape Brian Ruh Part IV. Rescripting History Rebranding Himiko, the Shaman Queen of Ancient History Laura Miller Tezuka’s Buddha at the Tokyo National Museum: An Interview with Matsumoto Nobuyuki Christopher Bolton Genesis at the Shrine: The Votive Art of an Anime Pilgrimage Dale K. Andrews Part V. Repetition, Remediation, Adaptation The Girl at the Center of the World: Gender, Genre, and Remediation in Bishôjo Media Works Forrest Greenwood The Localization of Kiki’s Delivery Service Alexandra Roedder Franchising and Failure: Discourses of Failure within the Japanese-American Speed Racer Franchise Rayna Denison Evangelion as Second Impact: Forever Changing That Which Never Was Andreu Ballús and Alba G. Torrents From Ground Zero to Degree Zero: Akira from Origin to Oblivion Christopher Bolton Contributors
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