This book offers a wide-ranging analysis of the entire corpus of Medbh McGuckian's published work. It provides both a readable synthesis of existing criticism, in a fashion which will be generally useful to academics and students, and also offers an original contribution to the field of contemporary Irish literary studies on the basis of new research.
This book offers a wide-ranging analysis of the entire corpus of Medbh McGuckian's published work. It provides both a readable synthesis of existing criticism, in a fashion which will be generally useful to academics and students, and also offers an original contribution to the field of contemporary Irish literary studies on the basis of new research.
Contents Acknowledgments Abbreviations Introduction One Literary Performance in Medbh McGuckian's Early Volumes: The Flower Master Venus and the Rain On Ballycastle Beach and Marconi's Cottage Two The Politicized Aesthetic in Captain Lavender Shelmalier and Drawing Ballerinas Three Death and Spirituality in The Face of the Earth Had I a Thousand Lives and The Book of the Angel Four Inward Journeys: The Currage Requires No Harbour My Love Has Fared Inland and The High Caul Cap Five Thematic Readings of Medbh McGuckian's Work Afterword Bibliography About the Author Index
Contents Acknowledgments Abbreviations Introduction One Literary Performance in Medbh McGuckian's Early Volumes: The Flower Master Venus and the Rain On Ballycastle Beach and Marconi's Cottage Two The Politicized Aesthetic in Captain Lavender Shelmalier and Drawing Ballerinas Three Death and Spirituality in The Face of the Earth Had I a Thousand Lives and The Book of the Angel Four Inward Journeys: The Currage Requires No Harbour My Love Has Fared Inland and The High Caul Cap Five Thematic Readings of Medbh McGuckian's Work Afterword Bibliography About the Author Index
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