Media Connections between Britain and Ireland
Shared Histories
Herausgeber: O'Brien, Mark
Media Connections between Britain and Ireland
Shared Histories
Herausgeber: O'Brien, Mark
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This book examines the relationship between Britain and Ireland, specifically the central role played by print and broadcast media in communicating political, cultural and social differences and similarities between the two islands.
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This book examines the relationship between Britain and Ireland, specifically the central role played by print and broadcast media in communicating political, cultural and social differences and similarities between the two islands.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 190
- Erscheinungstermin: 5. September 2022
- Englisch
- Abmessung: 244mm x 170mm x 13mm
- Gewicht: 522g
- ISBN-13: 9780367511180
- ISBN-10: 0367511185
- Artikelnr.: 64103454
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 190
- Erscheinungstermin: 5. September 2022
- Englisch
- Abmessung: 244mm x 170mm x 13mm
- Gewicht: 522g
- ISBN-13: 9780367511180
- ISBN-10: 0367511185
- Artikelnr.: 64103454
Mark O'Brien is Associate Professor of Journalism History at Dublin City University, Ireland. He is the author of The Fourth Estate: Journalism in Twentieth-Century Ireland (2017); The Irish Times: A History (2008); and De Valera, Fianna Fáil and the Irish Press: The Truth in the News (2001).
Introduction
1. Oscar Wilde
Anglo-Irish networks of print and the cultural politics of needlework
2. The convict Kirwan: Viewing the nineteenth-century press through the lens of an Irish murder trial
3. Image wars: the Edwardian picture postcard and the construction of Irish identity in the early 1900s
4. Scissors and Paste: Arthur Griffiths's use of British and other media to circumvent censorship in Ireland 1914-15
5. Fighting and writing: Journalists and the 1916 Easter Rising
6. Censorship and suppression of the Irish provincial press
1914-1921
7. 'A bit of news which you may
or may not
care to use': The Beaverbrook-Healy friendship and British newspapers 1922-1931
8. Tuned out? A study of RTÉ's Radio 1 programmes Dear Frankie/Women Today and BBC 4's Woman's Hour
9. Television and the decline of cinema-going in Northern Ireland
1953-1963
10. Memories of television in Ireland: separating media history from nation state
11. Seamus O'Fawkes and other characters: The British tabloid cartoon coverage of the IRA campaign in England
12. 'More difficult from Dublin than from Dieppe': Ireland and Britain in a European network of communication
1. Oscar Wilde
Anglo-Irish networks of print and the cultural politics of needlework
2. The convict Kirwan: Viewing the nineteenth-century press through the lens of an Irish murder trial
3. Image wars: the Edwardian picture postcard and the construction of Irish identity in the early 1900s
4. Scissors and Paste: Arthur Griffiths's use of British and other media to circumvent censorship in Ireland 1914-15
5. Fighting and writing: Journalists and the 1916 Easter Rising
6. Censorship and suppression of the Irish provincial press
1914-1921
7. 'A bit of news which you may
or may not
care to use': The Beaverbrook-Healy friendship and British newspapers 1922-1931
8. Tuned out? A study of RTÉ's Radio 1 programmes Dear Frankie/Women Today and BBC 4's Woman's Hour
9. Television and the decline of cinema-going in Northern Ireland
1953-1963
10. Memories of television in Ireland: separating media history from nation state
11. Seamus O'Fawkes and other characters: The British tabloid cartoon coverage of the IRA campaign in England
12. 'More difficult from Dublin than from Dieppe': Ireland and Britain in a European network of communication
Introduction
1. Oscar Wilde
Anglo-Irish networks of print and the cultural politics of needlework
2. The convict Kirwan: Viewing the nineteenth-century press through the lens of an Irish murder trial
3. Image wars: the Edwardian picture postcard and the construction of Irish identity in the early 1900s
4. Scissors and Paste: Arthur Griffiths's use of British and other media to circumvent censorship in Ireland 1914-15
5. Fighting and writing: Journalists and the 1916 Easter Rising
6. Censorship and suppression of the Irish provincial press
1914-1921
7. 'A bit of news which you may
or may not
care to use': The Beaverbrook-Healy friendship and British newspapers 1922-1931
8. Tuned out? A study of RTÉ's Radio 1 programmes Dear Frankie/Women Today and BBC 4's Woman's Hour
9. Television and the decline of cinema-going in Northern Ireland
1953-1963
10. Memories of television in Ireland: separating media history from nation state
11. Seamus O'Fawkes and other characters: The British tabloid cartoon coverage of the IRA campaign in England
12. 'More difficult from Dublin than from Dieppe': Ireland and Britain in a European network of communication
1. Oscar Wilde
Anglo-Irish networks of print and the cultural politics of needlework
2. The convict Kirwan: Viewing the nineteenth-century press through the lens of an Irish murder trial
3. Image wars: the Edwardian picture postcard and the construction of Irish identity in the early 1900s
4. Scissors and Paste: Arthur Griffiths's use of British and other media to circumvent censorship in Ireland 1914-15
5. Fighting and writing: Journalists and the 1916 Easter Rising
6. Censorship and suppression of the Irish provincial press
1914-1921
7. 'A bit of news which you may
or may not
care to use': The Beaverbrook-Healy friendship and British newspapers 1922-1931
8. Tuned out? A study of RTÉ's Radio 1 programmes Dear Frankie/Women Today and BBC 4's Woman's Hour
9. Television and the decline of cinema-going in Northern Ireland
1953-1963
10. Memories of television in Ireland: separating media history from nation state
11. Seamus O'Fawkes and other characters: The British tabloid cartoon coverage of the IRA campaign in England
12. 'More difficult from Dublin than from Dieppe': Ireland and Britain in a European network of communication