Media Culture in Transnational Asia: Convergences and Divergences
Herausgeber: Park, Hyesu
Media Culture in Transnational Asia: Convergences and Divergences
Herausgeber: Park, Hyesu
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Media Culture in Transnational Asia: Convergences and Divergences offers a comprehensive and extensive overview of the production, consumption, and exchange of media in Asia, presenting the region as a rich site for media examination and exploration.
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Media Culture in Transnational Asia: Convergences and Divergences offers a comprehensive and extensive overview of the production, consumption, and exchange of media in Asia, presenting the region as a rich site for media examination and exploration.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Global Media and Race
- Verlag: Rutgers University Press
- Seitenzahl: 250
- Altersempfehlung: ab 18 Jahre
- Erscheinungstermin: 17. September 2020
- Englisch
- Abmessung: 236mm x 165mm x 20mm
- Gewicht: 431g
- ISBN-13: 9781978804128
- ISBN-10: 1978804121
- Artikelnr.: 58669886
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Global Media and Race
- Verlag: Rutgers University Press
- Seitenzahl: 250
- Altersempfehlung: ab 18 Jahre
- Erscheinungstermin: 17. September 2020
- Englisch
- Abmessung: 236mm x 165mm x 20mm
- Gewicht: 431g
- ISBN-13: 9781978804128
- ISBN-10: 1978804121
- Artikelnr.: 58669886
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
HYESU PARK is an assistant professor of English at Bellevue College in Bellevue, Washington. Her articles have appeared in Image and Narrative, Studies in Twentieth and Twenty-First Century Literature, and American Book Review.
Introduction
Hyesu Park and Maya Dodd
Part I: Transnational Approach
Chapter 1: Converging on Love and Indifference: Mediated Otherness in South
and East
Asia
Rea Amit
Chapter 2: The Child Bride: Unpacking the Popularity of the Indian
Television Show Balika Vadhu in Vietnam
Shubhda Arora and Juhi Jotwani
Chapter 3: Star Construction in the Era of Media Convergence: Pro-Am Online
Videos, Co-creative Culture, and Transnational Chinese Icons on YouTube
Dorothy Wai Sim Lau
Chapter 4: Screen to Screen: Adaptation and Transnational Circulation
of Chinese (Web) Novels for Television
W. Michelle Wang
Chapter 5: Rhetorical Liminality in Southeast Asian Media Representations
of Human Trafficking
John Gagnon
Chapter 6: Addressing Transnational Legacies of Colonialism in East Asia:
Cases from Contemporary Japanese Art
Hiroki Yamamoto
Part II: Single-nation Approach
Chapter 7: Media, Narrative, and Culture: Narrativizing and Contextualizing
Korean Mukbang Shows
Hyesu Park
Chapter 8: Construction, Consumption, and Representation of White Supremacy
in Sri Lankan Advertisements: Living White While Being Non-White
Asantha U. Attanayake
Chapter 9: A Liminal Bengali Identity: Film Culture in Bangladesh
Sabiha Huq
Chapter 10: Screening Southeast Asia: Film, Politics, and the Emergence of
the Nation in Post-War Southeast Asia
Darlene Machell de Leon Espena
Chapter 11: Afghan Media and Culture in Transition
Alireza Dehghan
Chapter 12: A Semiotic Analysis of Symbolic Actions of Iranian Instagram
Users
Hamid Abdollahyan and Hoornaz Keshavarzia
Acknowledgments
Bibliography
Notes on Contributors
Index
Hyesu Park and Maya Dodd
Part I: Transnational Approach
Chapter 1: Converging on Love and Indifference: Mediated Otherness in South
and East
Asia
Rea Amit
Chapter 2: The Child Bride: Unpacking the Popularity of the Indian
Television Show Balika Vadhu in Vietnam
Shubhda Arora and Juhi Jotwani
Chapter 3: Star Construction in the Era of Media Convergence: Pro-Am Online
Videos, Co-creative Culture, and Transnational Chinese Icons on YouTube
Dorothy Wai Sim Lau
Chapter 4: Screen to Screen: Adaptation and Transnational Circulation
of Chinese (Web) Novels for Television
W. Michelle Wang
Chapter 5: Rhetorical Liminality in Southeast Asian Media Representations
of Human Trafficking
John Gagnon
Chapter 6: Addressing Transnational Legacies of Colonialism in East Asia:
Cases from Contemporary Japanese Art
Hiroki Yamamoto
Part II: Single-nation Approach
Chapter 7: Media, Narrative, and Culture: Narrativizing and Contextualizing
Korean Mukbang Shows
Hyesu Park
Chapter 8: Construction, Consumption, and Representation of White Supremacy
in Sri Lankan Advertisements: Living White While Being Non-White
Asantha U. Attanayake
Chapter 9: A Liminal Bengali Identity: Film Culture in Bangladesh
Sabiha Huq
Chapter 10: Screening Southeast Asia: Film, Politics, and the Emergence of
the Nation in Post-War Southeast Asia
Darlene Machell de Leon Espena
Chapter 11: Afghan Media and Culture in Transition
Alireza Dehghan
Chapter 12: A Semiotic Analysis of Symbolic Actions of Iranian Instagram
Users
Hamid Abdollahyan and Hoornaz Keshavarzia
Acknowledgments
Bibliography
Notes on Contributors
Index
Introduction
Hyesu Park and Maya Dodd
Part I: Transnational Approach
Chapter 1: Converging on Love and Indifference: Mediated Otherness in South
and East
Asia
Rea Amit
Chapter 2: The Child Bride: Unpacking the Popularity of the Indian
Television Show Balika Vadhu in Vietnam
Shubhda Arora and Juhi Jotwani
Chapter 3: Star Construction in the Era of Media Convergence: Pro-Am Online
Videos, Co-creative Culture, and Transnational Chinese Icons on YouTube
Dorothy Wai Sim Lau
Chapter 4: Screen to Screen: Adaptation and Transnational Circulation
of Chinese (Web) Novels for Television
W. Michelle Wang
Chapter 5: Rhetorical Liminality in Southeast Asian Media Representations
of Human Trafficking
John Gagnon
Chapter 6: Addressing Transnational Legacies of Colonialism in East Asia:
Cases from Contemporary Japanese Art
Hiroki Yamamoto
Part II: Single-nation Approach
Chapter 7: Media, Narrative, and Culture: Narrativizing and Contextualizing
Korean Mukbang Shows
Hyesu Park
Chapter 8: Construction, Consumption, and Representation of White Supremacy
in Sri Lankan Advertisements: Living White While Being Non-White
Asantha U. Attanayake
Chapter 9: A Liminal Bengali Identity: Film Culture in Bangladesh
Sabiha Huq
Chapter 10: Screening Southeast Asia: Film, Politics, and the Emergence of
the Nation in Post-War Southeast Asia
Darlene Machell de Leon Espena
Chapter 11: Afghan Media and Culture in Transition
Alireza Dehghan
Chapter 12: A Semiotic Analysis of Symbolic Actions of Iranian Instagram
Users
Hamid Abdollahyan and Hoornaz Keshavarzia
Acknowledgments
Bibliography
Notes on Contributors
Index
Hyesu Park and Maya Dodd
Part I: Transnational Approach
Chapter 1: Converging on Love and Indifference: Mediated Otherness in South
and East
Asia
Rea Amit
Chapter 2: The Child Bride: Unpacking the Popularity of the Indian
Television Show Balika Vadhu in Vietnam
Shubhda Arora and Juhi Jotwani
Chapter 3: Star Construction in the Era of Media Convergence: Pro-Am Online
Videos, Co-creative Culture, and Transnational Chinese Icons on YouTube
Dorothy Wai Sim Lau
Chapter 4: Screen to Screen: Adaptation and Transnational Circulation
of Chinese (Web) Novels for Television
W. Michelle Wang
Chapter 5: Rhetorical Liminality in Southeast Asian Media Representations
of Human Trafficking
John Gagnon
Chapter 6: Addressing Transnational Legacies of Colonialism in East Asia:
Cases from Contemporary Japanese Art
Hiroki Yamamoto
Part II: Single-nation Approach
Chapter 7: Media, Narrative, and Culture: Narrativizing and Contextualizing
Korean Mukbang Shows
Hyesu Park
Chapter 8: Construction, Consumption, and Representation of White Supremacy
in Sri Lankan Advertisements: Living White While Being Non-White
Asantha U. Attanayake
Chapter 9: A Liminal Bengali Identity: Film Culture in Bangladesh
Sabiha Huq
Chapter 10: Screening Southeast Asia: Film, Politics, and the Emergence of
the Nation in Post-War Southeast Asia
Darlene Machell de Leon Espena
Chapter 11: Afghan Media and Culture in Transition
Alireza Dehghan
Chapter 12: A Semiotic Analysis of Symbolic Actions of Iranian Instagram
Users
Hamid Abdollahyan and Hoornaz Keshavarzia
Acknowledgments
Bibliography
Notes on Contributors
Index