Media, Place and Tourism
Worlds of Imagination
Herausgeber: Castro, Deborah; Reijnders, Stijn; Martens, Emiel
Media, Place and Tourism
Worlds of Imagination
Herausgeber: Castro, Deborah; Reijnders, Stijn; Martens, Emiel
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Accessible and interdisciplinary in nature, this volume highlights the connections between media, tourism and place, bringing together the diverse perspectives, approaches and actors involved in critical issues relating to media tourism worldwide.
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Accessible and interdisciplinary in nature, this volume highlights the connections between media, tourism and place, bringing together the diverse perspectives, approaches and actors involved in critical issues relating to media tourism worldwide.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 290
- Erscheinungstermin: 4. April 2024
- Englisch
- Abmessung: 240mm x 161mm x 20mm
- Gewicht: 604g
- ISBN-13: 9781032341040
- ISBN-10: 1032341041
- Artikelnr.: 70150478
- Verlag: Routledge
- Seitenzahl: 290
- Erscheinungstermin: 4. April 2024
- Englisch
- Abmessung: 240mm x 161mm x 20mm
- Gewicht: 604g
- ISBN-13: 9781032341040
- ISBN-10: 1032341041
- Artikelnr.: 70150478
Stijn Reijnders is Professor of Cultural Heritage and Vice Dean of Research at the Erasmus University Rotterdam. His research focuses on the intersection of media, culture and tourism. Furthermore, he is co-founder of the Erasmus Knowledge Centre for Film, Heritage and Tourism. Emiel Martens is Assistant Professor in Media Studies at the University of Amsterdam and Senior Researcher at the Erasmus University Rotterdam. His research focuses on the intersections between film, tourism and empire. Furthermore, he is co-founder of both the Expertise Centre Humanitarian Communication (HUCOM) and the Knowledge Centre for Film, Heritage and Tourism (FIHETO). Deborah Castro is Assistant Professor in Media Studies at the University of Groningen. Her research interests lie in the fields of television and audience studies. She received a Marie Sk¿odowska-Curie Individual Fellowship to study the local community's reactions to film tourism in Spain. Débora Póvoa is Postdoctoral Researcher at the Erasmus University Rotterdam. Her research focuses on power dynamics of media production and tourism. She is a board member of the Erasmus Knowledge Centre for Film, Heritage and Tourism (FIHETO) and film review editor of the European Review of Latin American and Caribbean Studies. Apoorva Nanjangud is Postdoctoral Researcher at Radboud Institute of Culture and History, Radboud University Nijmegen. She is a cultural sociologist, with an expertise at the intersection of the media, tourism and the creative sectors, particularly in the context of India. Rosa Schiavone is PhD Candidate at Erasmus University Rotterdam. Her PhD project examines the production of place in film tourism in Scotland and explores the interconnections between popular culture, place and local and national heritage.
Introduction: Worlds of Imagination. Part 1. Imagining Place in Popular
Culture: Representation, Travel, Media. 1. The Runaway Production of A
Daughter of the Gods: Film, Tourism and Empire in Early Twentieth-Century
Jamaica. 2. More than just home of Middle Earth: The History of Film
Tourism in Aotearoa New Zealand. 3. Where East Becomes West: Imaginative
Geographies of Eastern Europe in Popular Indian Cinema. 4. The Unfulfilled
Potential of the Radio Archives: Designing a Prototype to Uncover Hidden
Stories in the Landscape. 5. Environmental Imaginaria in the Age of
Extinction: Perspectives from the "Critical Zone". Part 2. Visiting Places
of the Imagination: Fandom, Experience, Affects. 6. The Everyday Tourist:
Travelling the Theatre of the Mind in the Wake of Permacrisis. 7. From SDCC
to Globalised/Glocalised Comic-Cons: Towards the Experience Economy of
Co-existential 'Event Fans'. 8. Multi-vocality Induced by Laid-Back Camp
Among Chinese Audiences. 9. Bollywood Tourism Among the Hindustanis in the
Netherlands: A Transnational Perspective. Part 3. Making Place in a
Mediatized World: Heritage, Community, Social Change. 10. Whose Homestead
is it? Little Houses on the Prairie and the Cultural Politics of White
Colonial Settlement in the U.S.. 11. Popular Music Heritage in
Ekaterinburg: From Seeking Authorisation and Nostalgia for Soviet Rock to
Participatory Place-making. 12. Negotiating Dark and Light Magic:
Witch-themed Tourism in Harz, Germany, in a Transcultural Context. 13. What
About the Locals? Exploring Residents' Interest in and Suggestions for the
Development of Film Tourism in Seville, Spain. Part 4. Developing Media
Tourism: Policy, Management, Strategies. 14. Film Tourism in Brazil:
Learning from Local Perspectives. 15. Developing and Managing Film-related
Tourism at Film Studios with the Design of Cultural and Heritage Features -
the Case of Hengdian World Studios (China). 16. Promoting Popular Culture
(and) Tourism as National Policies: Comparing "Cool Japan" and "Korean
Wave". 17. Destination Nollywood: The Connections Between Film and Tourism
in Nigeria, 2012-2022.
Culture: Representation, Travel, Media. 1. The Runaway Production of A
Daughter of the Gods: Film, Tourism and Empire in Early Twentieth-Century
Jamaica. 2. More than just home of Middle Earth: The History of Film
Tourism in Aotearoa New Zealand. 3. Where East Becomes West: Imaginative
Geographies of Eastern Europe in Popular Indian Cinema. 4. The Unfulfilled
Potential of the Radio Archives: Designing a Prototype to Uncover Hidden
Stories in the Landscape. 5. Environmental Imaginaria in the Age of
Extinction: Perspectives from the "Critical Zone". Part 2. Visiting Places
of the Imagination: Fandom, Experience, Affects. 6. The Everyday Tourist:
Travelling the Theatre of the Mind in the Wake of Permacrisis. 7. From SDCC
to Globalised/Glocalised Comic-Cons: Towards the Experience Economy of
Co-existential 'Event Fans'. 8. Multi-vocality Induced by Laid-Back Camp
Among Chinese Audiences. 9. Bollywood Tourism Among the Hindustanis in the
Netherlands: A Transnational Perspective. Part 3. Making Place in a
Mediatized World: Heritage, Community, Social Change. 10. Whose Homestead
is it? Little Houses on the Prairie and the Cultural Politics of White
Colonial Settlement in the U.S.. 11. Popular Music Heritage in
Ekaterinburg: From Seeking Authorisation and Nostalgia for Soviet Rock to
Participatory Place-making. 12. Negotiating Dark and Light Magic:
Witch-themed Tourism in Harz, Germany, in a Transcultural Context. 13. What
About the Locals? Exploring Residents' Interest in and Suggestions for the
Development of Film Tourism in Seville, Spain. Part 4. Developing Media
Tourism: Policy, Management, Strategies. 14. Film Tourism in Brazil:
Learning from Local Perspectives. 15. Developing and Managing Film-related
Tourism at Film Studios with the Design of Cultural and Heritage Features -
the Case of Hengdian World Studios (China). 16. Promoting Popular Culture
(and) Tourism as National Policies: Comparing "Cool Japan" and "Korean
Wave". 17. Destination Nollywood: The Connections Between Film and Tourism
in Nigeria, 2012-2022.
Introduction: Worlds of Imagination. Part 1. Imagining Place in Popular
Culture: Representation, Travel, Media. 1. The Runaway Production of A
Daughter of the Gods: Film, Tourism and Empire in Early Twentieth-Century
Jamaica. 2. More than just home of Middle Earth: The History of Film
Tourism in Aotearoa New Zealand. 3. Where East Becomes West: Imaginative
Geographies of Eastern Europe in Popular Indian Cinema. 4. The Unfulfilled
Potential of the Radio Archives: Designing a Prototype to Uncover Hidden
Stories in the Landscape. 5. Environmental Imaginaria in the Age of
Extinction: Perspectives from the "Critical Zone". Part 2. Visiting Places
of the Imagination: Fandom, Experience, Affects. 6. The Everyday Tourist:
Travelling the Theatre of the Mind in the Wake of Permacrisis. 7. From SDCC
to Globalised/Glocalised Comic-Cons: Towards the Experience Economy of
Co-existential 'Event Fans'. 8. Multi-vocality Induced by Laid-Back Camp
Among Chinese Audiences. 9. Bollywood Tourism Among the Hindustanis in the
Netherlands: A Transnational Perspective. Part 3. Making Place in a
Mediatized World: Heritage, Community, Social Change. 10. Whose Homestead
is it? Little Houses on the Prairie and the Cultural Politics of White
Colonial Settlement in the U.S.. 11. Popular Music Heritage in
Ekaterinburg: From Seeking Authorisation and Nostalgia for Soviet Rock to
Participatory Place-making. 12. Negotiating Dark and Light Magic:
Witch-themed Tourism in Harz, Germany, in a Transcultural Context. 13. What
About the Locals? Exploring Residents' Interest in and Suggestions for the
Development of Film Tourism in Seville, Spain. Part 4. Developing Media
Tourism: Policy, Management, Strategies. 14. Film Tourism in Brazil:
Learning from Local Perspectives. 15. Developing and Managing Film-related
Tourism at Film Studios with the Design of Cultural and Heritage Features -
the Case of Hengdian World Studios (China). 16. Promoting Popular Culture
(and) Tourism as National Policies: Comparing "Cool Japan" and "Korean
Wave". 17. Destination Nollywood: The Connections Between Film and Tourism
in Nigeria, 2012-2022.
Culture: Representation, Travel, Media. 1. The Runaway Production of A
Daughter of the Gods: Film, Tourism and Empire in Early Twentieth-Century
Jamaica. 2. More than just home of Middle Earth: The History of Film
Tourism in Aotearoa New Zealand. 3. Where East Becomes West: Imaginative
Geographies of Eastern Europe in Popular Indian Cinema. 4. The Unfulfilled
Potential of the Radio Archives: Designing a Prototype to Uncover Hidden
Stories in the Landscape. 5. Environmental Imaginaria in the Age of
Extinction: Perspectives from the "Critical Zone". Part 2. Visiting Places
of the Imagination: Fandom, Experience, Affects. 6. The Everyday Tourist:
Travelling the Theatre of the Mind in the Wake of Permacrisis. 7. From SDCC
to Globalised/Glocalised Comic-Cons: Towards the Experience Economy of
Co-existential 'Event Fans'. 8. Multi-vocality Induced by Laid-Back Camp
Among Chinese Audiences. 9. Bollywood Tourism Among the Hindustanis in the
Netherlands: A Transnational Perspective. Part 3. Making Place in a
Mediatized World: Heritage, Community, Social Change. 10. Whose Homestead
is it? Little Houses on the Prairie and the Cultural Politics of White
Colonial Settlement in the U.S.. 11. Popular Music Heritage in
Ekaterinburg: From Seeking Authorisation and Nostalgia for Soviet Rock to
Participatory Place-making. 12. Negotiating Dark and Light Magic:
Witch-themed Tourism in Harz, Germany, in a Transcultural Context. 13. What
About the Locals? Exploring Residents' Interest in and Suggestions for the
Development of Film Tourism in Seville, Spain. Part 4. Developing Media
Tourism: Policy, Management, Strategies. 14. Film Tourism in Brazil:
Learning from Local Perspectives. 15. Developing and Managing Film-related
Tourism at Film Studios with the Design of Cultural and Heritage Features -
the Case of Hengdian World Studios (China). 16. Promoting Popular Culture
(and) Tourism as National Policies: Comparing "Cool Japan" and "Korean
Wave". 17. Destination Nollywood: The Connections Between Film and Tourism
in Nigeria, 2012-2022.