Media, Surveillance and Affect represents a big step in revealing the depth of the entanglement of surveillance technology not only with our everyday lives, but with our imaginaries and affective experiences.
Media, Surveillance and Affect represents a big step in revealing the depth of the entanglement of surveillance technology not only with our everyday lives, but with our imaginaries and affective experiences.
Nicole Falkenhayner is a senior lecturer in English Literature and Cultural Studies at the University of Freiburg, Germany.
Inhaltsangabe
INTRODUCTION: Feeling-States Under Surveillance Media, Surveillance and Affect Narrating with CCTV Images 1 AFFECTING FRAMES: Factual Narrative in the 'Zone of Mutual Mass Surveillance' The News Values of CCTV Narrations Seeing the Killing of Lee Rigby, 2013 CCTV in Contemporary News Media Events: An Aspect of 'Deep Mediatization' 2 FORESHADOWS: CCTV and Social Memory CCTV Images as Media of Memory Remembering Jamie Bulger in the Bootle Strand, 1993 Mediatized Memory on CCTV: Prosthesis and Projection 3 BEING CAPTURED: Tools of Surveillance as Tools of Fictional Becoming Twenty-First Century British Fictions of Being Captured Control and Care: Red Road (2006) Hindered Agency in What Was Lost (2007) Becoming Under Surveillant Gazes in Pigeon English (2011) Twenty-First Century Feeling-States 4 CCTV ART: Playing with Surveillance Actor-Networks Entanglements in the Video Surveillance Set-Up Manu Luksch: Faceless (2007) Jill Magid: Evidence Locker (2004) Bringing Selves Towards Things CONCLUSION: Surveillance as an 'Affective Arrangement' of Contemporary Lifeworlds Surveillance and 'Deep Mediatization'
INTRODUCTION: Feeling-States Under Surveillance Media, Surveillance and Affect Narrating with CCTV Images 1 AFFECTING FRAMES: Factual Narrative in the 'Zone of Mutual Mass Surveillance' The News Values of CCTV Narrations Seeing the Killing of Lee Rigby, 2013 CCTV in Contemporary News Media Events: An Aspect of 'Deep Mediatization' 2 FORESHADOWS: CCTV and Social Memory CCTV Images as Media of Memory Remembering Jamie Bulger in the Bootle Strand, 1993 Mediatized Memory on CCTV: Prosthesis and Projection 3 BEING CAPTURED: Tools of Surveillance as Tools of Fictional Becoming Twenty-First Century British Fictions of Being Captured Control and Care: Red Road (2006) Hindered Agency in What Was Lost (2007) Becoming Under Surveillant Gazes in Pigeon English (2011) Twenty-First Century Feeling-States 4 CCTV ART: Playing with Surveillance Actor-Networks Entanglements in the Video Surveillance Set-Up Manu Luksch: Faceless (2007) Jill Magid: Evidence Locker (2004) Bringing Selves Towards Things CONCLUSION: Surveillance as an 'Affective Arrangement' of Contemporary Lifeworlds Surveillance and 'Deep Mediatization'
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