Media Technologies and the Digital Humanities in Medieval and Early Modern Studies
Herausgeber: Scherff, Katharine D.; Sobehrad, Lane J.
Media Technologies and the Digital Humanities in Medieval and Early Modern Studies
Herausgeber: Scherff, Katharine D.; Sobehrad, Lane J.
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Through a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies.
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Through a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 158
- Erscheinungstermin: 17. März 2023
- Englisch
- Abmessung: 174mm x 246mm x 12mm
- Gewicht: 398g
- ISBN-13: 9781032280493
- ISBN-10: 1032280492
- Artikelnr.: 66741493
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 158
- Erscheinungstermin: 17. März 2023
- Englisch
- Abmessung: 174mm x 246mm x 12mm
- Gewicht: 398g
- ISBN-13: 9781032280493
- ISBN-10: 1032280492
- Artikelnr.: 66741493
Katharine D. Scherff is Postdoc Lecturer and teaches for the School of Art and the Medieval and Renaissance Studies Center at Texas Tech University. Lane J. Sobehrad is Coordinator of Research and Innovation for Lubbock ISD.
Introduction Media Technologies and the Digital Humanities Part I Text or
Tool? - Beyond the Narrative 1. From Audits to Confessionals: The Influence
of Accounting Technology on Medieval Penitential Pedagogy 2. As Nimble as
the Pen of a Scribe The Mediating Tongue in Aquinas's Commentary on the
Psalms Part II Interpretive Technologies - Viewing Culture and Society 3.
Painted, Printed, and Digitized, the Commemorative Images for the British
"Worthies" 4. Maps, Views, and Chorographies An Examination of the
Depiction of Place and the Representation of Architecture in the Civitates
Orbis Terrarum Part III Proximity - The Earthly and Divine Spheres 5. Ars
combinatoria Deciphering the Earthly and the Divine in the Medieval World
and Beyond 6. "It's Like I'm Actually there!": Jumbotrons, Liveness, and
the Corpus Christi Part IV Teaching "Tools" and Accessibility 7. Simulating
The Seventeenth-Century Dutch Art Market in the Twenty-First-Century
Classroom 8. The Virtual Renaissance Adopting Virtual Reality to Transform
How Art History is Taught Part V Digital Viewing and Reflections 9.
Reflections Relating Medieval Modes to Modern Multimodal Literacies in the
Digital Humanities
Tool? - Beyond the Narrative 1. From Audits to Confessionals: The Influence
of Accounting Technology on Medieval Penitential Pedagogy 2. As Nimble as
the Pen of a Scribe The Mediating Tongue in Aquinas's Commentary on the
Psalms Part II Interpretive Technologies - Viewing Culture and Society 3.
Painted, Printed, and Digitized, the Commemorative Images for the British
"Worthies" 4. Maps, Views, and Chorographies An Examination of the
Depiction of Place and the Representation of Architecture in the Civitates
Orbis Terrarum Part III Proximity - The Earthly and Divine Spheres 5. Ars
combinatoria Deciphering the Earthly and the Divine in the Medieval World
and Beyond 6. "It's Like I'm Actually there!": Jumbotrons, Liveness, and
the Corpus Christi Part IV Teaching "Tools" and Accessibility 7. Simulating
The Seventeenth-Century Dutch Art Market in the Twenty-First-Century
Classroom 8. The Virtual Renaissance Adopting Virtual Reality to Transform
How Art History is Taught Part V Digital Viewing and Reflections 9.
Reflections Relating Medieval Modes to Modern Multimodal Literacies in the
Digital Humanities
Introduction Media Technologies and the Digital Humanities Part I Text or
Tool? - Beyond the Narrative 1. From Audits to Confessionals: The Influence
of Accounting Technology on Medieval Penitential Pedagogy 2. As Nimble as
the Pen of a Scribe The Mediating Tongue in Aquinas's Commentary on the
Psalms Part II Interpretive Technologies - Viewing Culture and Society 3.
Painted, Printed, and Digitized, the Commemorative Images for the British
"Worthies" 4. Maps, Views, and Chorographies An Examination of the
Depiction of Place and the Representation of Architecture in the Civitates
Orbis Terrarum Part III Proximity - The Earthly and Divine Spheres 5. Ars
combinatoria Deciphering the Earthly and the Divine in the Medieval World
and Beyond 6. "It's Like I'm Actually there!": Jumbotrons, Liveness, and
the Corpus Christi Part IV Teaching "Tools" and Accessibility 7. Simulating
The Seventeenth-Century Dutch Art Market in the Twenty-First-Century
Classroom 8. The Virtual Renaissance Adopting Virtual Reality to Transform
How Art History is Taught Part V Digital Viewing and Reflections 9.
Reflections Relating Medieval Modes to Modern Multimodal Literacies in the
Digital Humanities
Tool? - Beyond the Narrative 1. From Audits to Confessionals: The Influence
of Accounting Technology on Medieval Penitential Pedagogy 2. As Nimble as
the Pen of a Scribe The Mediating Tongue in Aquinas's Commentary on the
Psalms Part II Interpretive Technologies - Viewing Culture and Society 3.
Painted, Printed, and Digitized, the Commemorative Images for the British
"Worthies" 4. Maps, Views, and Chorographies An Examination of the
Depiction of Place and the Representation of Architecture in the Civitates
Orbis Terrarum Part III Proximity - The Earthly and Divine Spheres 5. Ars
combinatoria Deciphering the Earthly and the Divine in the Medieval World
and Beyond 6. "It's Like I'm Actually there!": Jumbotrons, Liveness, and
the Corpus Christi Part IV Teaching "Tools" and Accessibility 7. Simulating
The Seventeenth-Century Dutch Art Market in the Twenty-First-Century
Classroom 8. The Virtual Renaissance Adopting Virtual Reality to Transform
How Art History is Taught Part V Digital Viewing and Reflections 9.
Reflections Relating Medieval Modes to Modern Multimodal Literacies in the
Digital Humanities