This book examines the emergent relationships and connections between media practices and tourism practices, everyday experiences and encounters of place. Collectively, the authors in this book address a range of media and technologies from brochures, television, video and film to mediated virtual spaces, such as e-brochures, Internet cultures, social networks, and Google Earth. In doing so, the book highlights the continued significance of media in tourism contexts; recognising both traditional and newer technologies, and the non-linear, continuous cycle of mediated representations and experiences.…mehr
This book examines the emergent relationships and connections between media practices and tourism practices, everyday experiences and encounters of place. Collectively, the authors in this book address a range of media and technologies from brochures, television, video and film to mediated virtual spaces, such as e-brochures, Internet cultures, social networks, and Google Earth. In doing so, the book highlights the continued significance of media in tourism contexts; recognising both traditional and newer technologies, and the non-linear, continuous cycle of mediated representations and experiences.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Contents: Mediating the tourist experience: from brochures to virtual encounters, Caroline Scarles and Jo-Anne Lester; Media-related tourism phenomena: a review of key issues, NoÃ'lle O'Connor and Sangkyun Kim; From the landscape to the White female body: representations of postcolonial luxury in contemporary tourism visual texts, Karen Wilkes; A necessary glamorisation? Resident perspectives on promotional literature and images on Great Barrier Island, New Zealand, Leon Hoffman and Robin Kearns; The effect of British natural history television programmes: animal representations and wildlife tourism, Susanna Curtin; Internet cultures and tourist expectations in the context of the public media discourse, Nicolai Scherle and Ralph Lessmeister; A comparative analysis of the projected and perceived images of Gloucester, Kathryn Bell; Individualising the tourist brochure: reconfiguring tourism experiences and transforming the classic image-maker, Constantia Anastasiadou and Nikos Migas; The mediatisation of culture: Japanese contents tourism and pop culture, Sue Beeton, Takayoshi Yamamura and Philip Seaton; Developing the e-mediated gaze, Peter Robinson; Souvenir or reconstruir? Editing experience and mediating memories of learning to dive, Stephanie Merchant; The mediation and fetishisation of the travel experience, Michael Salmond; Being a tourist or a performer? Tourists' negotiation with mediated destination image in popular film, Maltika Siripis, Caroline Scarles and David Airey; The hollowed or hallowed ground of Orange County, California, Chris Lukinbeal and Ann Fletchall; Maps, mapping and materiality: navigating London, Catherine Palmer and Jo-Anne Lester; Mediating tourism: future directions?, Jo-Anne Lester and Caroline Scarles; Index.
Contents: Mediating the tourist experience: from brochures to virtual encounters, Caroline Scarles and Jo-Anne Lester; Media-related tourism phenomena: a review of key issues, NoÃ'lle O'Connor and Sangkyun Kim; From the landscape to the White female body: representations of postcolonial luxury in contemporary tourism visual texts, Karen Wilkes; A necessary glamorisation? Resident perspectives on promotional literature and images on Great Barrier Island, New Zealand, Leon Hoffman and Robin Kearns; The effect of British natural history television programmes: animal representations and wildlife tourism, Susanna Curtin; Internet cultures and tourist expectations in the context of the public media discourse, Nicolai Scherle and Ralph Lessmeister; A comparative analysis of the projected and perceived images of Gloucester, Kathryn Bell; Individualising the tourist brochure: reconfiguring tourism experiences and transforming the classic image-maker, Constantia Anastasiadou and Nikos Migas; The mediatisation of culture: Japanese contents tourism and pop culture, Sue Beeton, Takayoshi Yamamura and Philip Seaton; Developing the e-mediated gaze, Peter Robinson; Souvenir or reconstruir? Editing experience and mediating memories of learning to dive, Stephanie Merchant; The mediation and fetishisation of the travel experience, Michael Salmond; Being a tourist or a performer? Tourists' negotiation with mediated destination image in popular film, Maltika Siripis, Caroline Scarles and David Airey; The hollowed or hallowed ground of Orange County, California, Chris Lukinbeal and Ann Fletchall; Maps, mapping and materiality: navigating London, Catherine Palmer and Jo-Anne Lester; Mediating tourism: future directions?, Jo-Anne Lester and Caroline Scarles; Index.
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