This book investigates the relationship between performance, technological mediation, and the sense of live presence through a series of case studies related to popular music products. Bratus explores the crucial significance of live performance for the construction of a personal, intimate relationship between performers and audiences.
This book investigates the relationship between performance, technological mediation, and the sense of live presence through a series of case studies related to popular music products. Bratus explores the crucial significance of live performance for the construction of a personal, intimate relationship between performers and audiences.
Alessandro Bratus is senior lecturer in the Department of Musicology and Cultural Heritage at the University of Pavia.
Inhaltsangabe
Introduction: Theoretically Live: Performance and Mediation between Experience, Intermediality, and Authenticity Chapter 1: Live Once, and Witness Forever: The Analytical Framework Chapter 2: The Many Lives of Jimi: Recordings and Utopian Spaces in Hendrix's Posthumous Albums Chapter 3: So Empty without Me? Heritage, Realness and Memory in Tupac Shakur's Posthumous Records Chapter 4: Identity as Timbre: Johnny Cash's Expansive Identity in the American Recordings and Beyond Chapter 5: A Conversation with No Speakers: Live without Audience Chapter 6: Live EDM: Audiovisual Performativity for Bodies and Machines Coda: (Living?) In the Material World: The In-Betweenness of Michael Jackson's This Is It
Introduction: Theoretically Live: Performance and Mediation between Experience, Intermediality, and Authenticity Chapter 1: Live Once, and Witness Forever: The Analytical Framework Chapter 2: The Many Lives of Jimi: Recordings and Utopian Spaces in Hendrix's Posthumous Albums Chapter 3: So Empty without Me? Heritage, Realness and Memory in Tupac Shakur's Posthumous Records Chapter 4: Identity as Timbre: Johnny Cash's Expansive Identity in the American Recordings and Beyond Chapter 5: A Conversation with No Speakers: Live without Audience Chapter 6: Live EDM: Audiovisual Performativity for Bodies and Machines Coda: (Living?) In the Material World: The In-Betweenness of Michael Jackson's This Is It
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