John Blanke's Hat and its Contexts, Part 1: Turbans and Islamic Dress at the Court of Henry VIII Meg Twycross Disjointed Unison: Bodily Porousness and Subversion in the Croxton Play of the Sacrament Sadegh Attari The Disabled Body as Performance: 'Disabled' Performers in the Records of Early English Drama Mark Chambers From Huy to Primrose Hill: An Early Twentieth Century English Re Playing of a Fifteenth Century Liégeois Nativity Play Janet Cowen 'More medieval morality play than 21st century': Spectacle and its Meaning at the Coronation of King Charles III Aurélie Blanc The Seven Sages of Scotland: The Scottish Storytelling Centre, Edinburgh, Saturday 22 July 2023 Sarah Carpenter
John Blanke's Hat and its Contexts, Part 1: Turbans and Islamic Dress at the Court of Henry VIII Meg Twycross Disjointed Unison: Bodily Porousness and Subversion in the Croxton Play of the Sacrament Sadegh Attari The Disabled Body as Performance: 'Disabled' Performers in the Records of Early English Drama Mark Chambers From Huy to Primrose Hill: An Early Twentieth Century English Re Playing of a Fifteenth Century Liégeois Nativity Play Janet Cowen 'More medieval morality play than 21st century': Spectacle and its Meaning at the Coronation of King Charles III Aurélie Blanc The Seven Sages of Scotland: The Scottish Storytelling Centre, Edinburgh, Saturday 22 July 2023 Sarah Carpenter
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