Introduction Helen Cooper Part I. The Middle Ages and Shakespeare: 1. Shakespeare's Middle Ages Bruce R. Smith 2. Late Shakespeare and the Middle Ages Bart van Es Part II. Books and Language: 3. The mediated 'medieval' and Shakespeare A. E. B. Coldiron 4. 'Not know my voice?': Shakespeare corrected English perfected - theories of language from the Middle Ages to Modernity Jonathan Hope 5. The afterlife of personification Helen Cooper Part III. The British Past: 6. 'King Lear in BC Albion' Margreta de Grazia 7. Shakespeare and the remains of Britain Ruth Morse Part IV. The Theatrical Dimension: 8. The art of playing Tom Bishop 9. Blood begetting blood: Shakespeare and the Mysteries Michael O'Connell 10. From scaffold to discovery-space: change and continuity Janette Dillon 11. Performing the Middle Ages Peter Holland 12. Afterword: the evil of 'medieval' David Bevington.
Introduction Helen Cooper Part I. The Middle Ages and Shakespeare: 1. Shakespeare's Middle Ages Bruce R. Smith 2. Late Shakespeare and the Middle Ages Bart van Es Part II. Books and Language: 3. The mediated 'medieval' and Shakespeare A. E. B. Coldiron 4. 'Not know my voice?': Shakespeare corrected English perfected - theories of language from the Middle Ages to Modernity Jonathan Hope 5. The afterlife of personification Helen Cooper Part III. The British Past: 6. 'King Lear in BC Albion' Margreta de Grazia 7. Shakespeare and the remains of Britain Ruth Morse Part IV. The Theatrical Dimension: 8. The art of playing Tom Bishop 9. Blood begetting blood: Shakespeare and the Mysteries Michael O'Connell 10. From scaffold to discovery-space: change and continuity Janette Dillon 11. Performing the Middle Ages Peter Holland 12. Afterword: the evil of 'medieval' David Bevington.
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