Ranging from 500 to 1200, John Haines considers the neglected vernacular music of this period, performed mainly by women.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John Haines holds a Canada Research Chair at the University of Toronto, where he is an Associate Professor cross-appointed at the Centre for Medieval Studies and the Faculty of Music. He has published on medieval music and its modern reception in many journals, from Romania and Scriptorium to Early Music History and Music and Letters. He is the author of Eight Centuries of Troubadours and Trouvères (Cambridge, 2004) and Satire in the Songs of Renart le nouvel (2009), and is the co-editor of Music and Medieval Manuscripts: Paleography and Performance (2004).
Inhaltsangabe
Part I. Medieval Song in Romance Languages: 1. Song 2. Lament 3. Love song 4. Epic song 5. Devotional song 6. Conclusion Appendix. Medieval condemnations of dance songs Bibliography Manuscript sources Part II. Songs with Musical Notation.
Part I. Medieval Song in Romance Languages: 1. Song 2. Lament 3. Love song 4. Epic song 5. Devotional song 6. Conclusion Appendix. Medieval condemnations of dance songs Bibliography Manuscript sources Part II. Songs with Musical Notation.
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