Drawing from a wide spectrum of literary and autobiographical texts from the past and present, such as Jane Austen's Emma and Tina Turner 's I, Tina, Frances L. Restuccia moves from a psychoanalytic explanation of the formation of women melancholics to the cultural co-construction of battered women.
Drawing from a wide spectrum of literary and autobiographical texts from the past and present, such as Jane Austen's Emma and Tina Turner 's I, Tina, Frances L. Restuccia moves from a psychoanalytic explanation of the formation of women melancholics to the cultural co-construction of battered women.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Frances L. Restuccia is associate professor of contemporary literary and cultural theory, English, and women's studies at Boston College.
Inhaltsangabe
Chapter 1 Introduction Chapter 2 1 "A Black Morning" in Jane Austen'sEmma Chapter 3 2 Mortification: Beyond the Persuasion Principle Chapter 4 3 Tales of Beauty: Brookner's, Atwood's, and Drabble's "Feminine Symbolic" Chapter 5 4 Conjurings: Mourning and Abjection inStory of O andReturn to the Château Chapter 6 5 Redirecting Spectacles of Domestic Woman Abuse:I, Tina andDefending Our Lives Chapter 7 6 Literary Representations of Battered Women: Spectacular Domestic Punishment Chapter 8 Afterword Chapter 9 Bibliography Chapter 10 Index Chapter 11 About the Author
Chapter 1 Introduction Chapter 2 1 "A Black Morning" in Jane Austen'sEmma Chapter 3 2 Mortification: Beyond the Persuasion Principle Chapter 4 3 Tales of Beauty: Brookner's, Atwood's, and Drabble's "Feminine Symbolic" Chapter 5 4 Conjurings: Mourning and Abjection inStory of O andReturn to the Château Chapter 6 5 Redirecting Spectacles of Domestic Woman Abuse:I, Tina andDefending Our Lives Chapter 7 6 Literary Representations of Battered Women: Spectacular Domestic Punishment Chapter 8 Afterword Chapter 9 Bibliography Chapter 10 Index Chapter 11 About the Author
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