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I have completely lost my talam. All I hear is the ring of mobile phones, the noise of escalators, platform announcements and the trains squealing on the tracks. Wheres the koyal, wheres the ring of temple bells, wheres Carnatic music, wheres my mothers voice? Three young people see each other across a crowded Flagstaff station. They just missed the train. Now they wait. And think. They think about home: Punjab, Delhi, Hyderabad. And about how they just cant seem to get Melbournes rhythm right. And of all the impossible things they must do to stay. And their time is running out. Developed…mehr

Produktbeschreibung
I have completely lost my talam. All I hear is the ring of mobile phones, the noise of escalators, platform announcements and the trains squealing on the tracks. Wheres the koyal, wheres the ring of temple bells, wheres Carnatic music, wheres my mothers voice? Three young people see each other across a crowded Flagstaff station. They just missed the train. Now they wait. And think. They think about home: Punjab, Delhi, Hyderabad. And about how they just cant seem to get Melbournes rhythm right. And of all the impossible things they must do to stay. And their time is running out. Developed through MTC CONNECT and the NEON and Cybec Electric play development programs, this vibrant play puts Melbournes contemporary social issues at centre stage. (2 acts, 2 male, 1 female).
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Autorenporträt
Rashma N. Kalsie is an Indian writer-playwright based in Australia. She is the founder of Indian Diaspora Dramatics Association. Rashma's work includes the plays Padma Shri Prahasana (India Habitat Centre, Delhi), The Day I Left Home-Melbourne Talam (MTC NEON Readings 2015, MTC Cybec Electric Festival 2016), The Lost Dog (Walker Gallery & Arts Centre 2012 and 2014), The Rejected Girl (Mumbai Theatre Guide One-Act Plays Shortlist) and Meri Script Hai Kahan (Eventura Creations 2003); the novels Ohh! Gods are Online (Srishti Publishers & Distributors) and The Buddha and the Bitch (Purple Folio); and over 100 scripts for TV shows with B.A.G. Films and News and Entertainment Television. She has published articles and shorts in print and online magazines-Woman's Era, Manushi, garamchai.com and feminafastfiction.com. Rashma studied TV Journalism from Academy 18 (a school of TV18), Screenwriting from University of Toronto, Playwrights' Workshop (Mahesh Dattani and India Habitat Centre), and Natyashastra Workshop (Dr Bharat Gupt). Rashma is an AWG Associate Member.