The full range of Western music is explored through 21 concise chapters on such topics as melody, harmony, counterpoint, texture, melody types, improvisation, music notation, free imitation, canon and fugue, vibration and its relation to harmony, tonality, and the place of music in architecture and astronomy. Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for all.
The full range of Western music is explored through 21 concise chapters on such topics as melody, harmony, counterpoint, texture, melody types, improvisation, music notation, free imitation, canon and fugue, vibration and its relation to harmony, tonality, and the place of music in architecture and astronomy. Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for all.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Chapter 1: Melody is Pure but Not So Simple Chapter 2: Harmony, Unlike Melody, is Pure Only in Theory Chapter 3: Our Usual Musical Menu is Melody with Subsidiary Accompaniment Chapter 4: Counterpoint is a Harmonious Marriage of Independent Melodies Chapter 5: Texture Chapter 6: Special Mixtures of Texture Chapter 7: East is East is Melody; West is West is Harmony Chapter 8: The Universal Patterns of Melody: Melody Types Chapter 9: Of the Earth, Earthy: Folk Music and its Role in Composition Chapter 10: Improvisation Forever Chapter 11: The Big Difference: Music Notation Chapter 12: Canon, Free Imitation, Fugue: A Path to Musical Meaning Chapter 13: Free Imitation: Canon with a Grain of Salt Chapter 14: Fugue: The Whole Contrapuntal Bag of Tricks Chapter 15: Harmony, the Governing Principle Chapter 16: Music in Architecture Chapter 17: Music in Astronomy Chapter 18: Vibration, the New Paradigm Chapter 19: The Harmonic Series Chapter 20: Mapping the New Tonal Territory Chapter 21: Tonality is Still Here Notes Suggest Further Reading About the Author
Preface Chapter 1: Melody is Pure but Not So Simple Chapter 2: Harmony, Unlike Melody, is Pure Only in Theory Chapter 3: Our Usual Musical Menu is Melody with Subsidiary Accompaniment Chapter 4: Counterpoint is a Harmonious Marriage of Independent Melodies Chapter 5: Texture Chapter 6: Special Mixtures of Texture Chapter 7: East is East is Melody; West is West is Harmony Chapter 8: The Universal Patterns of Melody: Melody Types Chapter 9: Of the Earth, Earthy: Folk Music and its Role in Composition Chapter 10: Improvisation Forever Chapter 11: The Big Difference: Music Notation Chapter 12: Canon, Free Imitation, Fugue: A Path to Musical Meaning Chapter 13: Free Imitation: Canon with a Grain of Salt Chapter 14: Fugue: The Whole Contrapuntal Bag of Tricks Chapter 15: Harmony, the Governing Principle Chapter 16: Music in Architecture Chapter 17: Music in Astronomy Chapter 18: Vibration, the New Paradigm Chapter 19: The Harmonic Series Chapter 20: Mapping the New Tonal Territory Chapter 21: Tonality is Still Here Notes Suggest Further Reading About the Author
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826