In this timely study, Puga compares contemporary Southern Cone playwrights and their aesthetic strategies for subverting ideologies of dictatorship; in the process, she traces the shaping of a resistant identity in memory, its direct expression in testimony, and its indirect elaboration in two different kinds of allegory.
In this timely study, Puga compares contemporary Southern Cone playwrights and their aesthetic strategies for subverting ideologies of dictatorship; in the process, she traces the shaping of a resistant identity in memory, its direct expression in testimony, and its indirect elaboration in two different kinds of allegory.
Ana Elena Puga teachs in the Department of Theatre at Northwestern University and recently published an anthology of translations of works by the Chilean playwright Juan Radrigán, Finished from the Start and Other Plays.
Inhaltsangabe
List of Figures Acknowledgments Introduction Chapter One: Carlos Manuel Varela and the Duty to Remember Chapter Two: Boal and Guarnieri: Historical Allegory and the Duty to Inspire Chapter Three: Griselda Gambaro: Abstract Allegory and the Duty to Conceal Chapter Four: Juan Radrigán and the Duty to Tell Epilogue Notes Bibliography Index
List of Figures Acknowledgments Introduction Chapter One: Carlos Manuel Varela and the Duty to Remember Chapter Two: Boal and Guarnieri: Historical Allegory and the Duty to Inspire Chapter Three: Griselda Gambaro: Abstract Allegory and the Duty to Conceal Chapter Four: Juan Radrigán and the Duty to Tell Epilogue Notes Bibliography Index
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