'Memory, Metaphor and Mysticism in Kalidasa's 'Abhijñ¿nä¿kuntalam'' aims to read K¿lid¿sa's masterpiece through poetic and philosophical resonances as evidenced in the metre, rhythm and symbolism carefully embedded in the narrative and dramatic text.
'Memory, Metaphor and Mysticism in Kalidasa's 'Abhijñ¿nä¿kuntalam'' aims to read K¿lid¿sa's masterpiece through poetic and philosophical resonances as evidenced in the metre, rhythm and symbolism carefully embedded in the narrative and dramatic text.
Namrata Chaturvedi is associate professor, School of Language, Literature and Culture Studies, SRM University, Sikkim.
Inhaltsangabe
Acknowledgments; Introduction, Namrata Chaturvedi; Section I: Metre, Structure and Dhvani; 1. 'Upam K lid sasya': What Makes K lid sa the King of Metaphor, Ramkishor Maholiya; 2. What Happens in ' akuntal ': Conceptual and Formal Symmetries, Sheldon Pollock; 3. From Separation to Unity: Resonances of Kashmir aivism in 'Abhijñ nä kuntalam', H. S. Shivaprakash and Namrata Chaturvedi; 4. ' akuntal ' and the Bible: Parallels and Resonances, Felix Wilfred; Section II: Commentaries and Criticism; 5. Love on One's Terms: Perspectives on 'G ndharva Viv ha' in 'Abhijñ nä kuntalam', Wagish Shukla; 6. 'Abhijñ nä kuntalam' in Indian Hermeneutics, Radhavallabh Tripathi; 7. The Seeker Finds His Self: Reading 'S r rthad pik ', the Advaita Commentary on 'Abhijñ nä kuntalam', Godabarisha Mishra; Section III: Varied Grammars of Love; 8. 'Not a Tale, but a Lesson': Persian Translations of K l d sa's 'Abhijñ nä kuntalam', Sunil Sharma; 9. akuntala in Hindustani: Reading select Urdu translations of 'Abhijñ nä kuntalam', Khalid Alvi; 10. Dialogue between Two 'Mah kavis': K lid sa and Laxmi Prasad Devkota's Three ' akuntal s', Gokul Sinha; Section IV: On the Stage: Personal Engagements with a Lived Tradition; 11. Staging ' akuntal ' in India: Observations and Reflections, Kamlesh Dutt Tripathi; 12. From the Stage to the Classroom: Engagement with ' akuntal ', Sreenivas Murthy; Index.
Acknowledgments; Introduction, Namrata Chaturvedi; Section I: Metre, Structure and Dhvani; 1. 'Upam K lid sasya': What Makes K lid sa the King of Metaphor, Ramkishor Maholiya; 2. What Happens in ' akuntal ': Conceptual and Formal Symmetries, Sheldon Pollock; 3. From Separation to Unity: Resonances of Kashmir aivism in 'Abhijñ nä kuntalam', H. S. Shivaprakash and Namrata Chaturvedi; 4. ' akuntal ' and the Bible: Parallels and Resonances, Felix Wilfred; Section II: Commentaries and Criticism; 5. Love on One's Terms: Perspectives on 'G ndharva Viv ha' in 'Abhijñ nä kuntalam', Wagish Shukla; 6. 'Abhijñ nä kuntalam' in Indian Hermeneutics, Radhavallabh Tripathi; 7. The Seeker Finds His Self: Reading 'S r rthad pik ', the Advaita Commentary on 'Abhijñ nä kuntalam', Godabarisha Mishra; Section III: Varied Grammars of Love; 8. 'Not a Tale, but a Lesson': Persian Translations of K l d sa's 'Abhijñ nä kuntalam', Sunil Sharma; 9. akuntala in Hindustani: Reading select Urdu translations of 'Abhijñ nä kuntalam', Khalid Alvi; 10. Dialogue between Two 'Mah kavis': K lid sa and Laxmi Prasad Devkota's Three ' akuntal s', Gokul Sinha; Section IV: On the Stage: Personal Engagements with a Lived Tradition; 11. Staging ' akuntal ' in India: Observations and Reflections, Kamlesh Dutt Tripathi; 12. From the Stage to the Classroom: Engagement with ' akuntal ', Sreenivas Murthy; Index.
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