Memory, Mobility, and Material Culture
Herausgeber: Giuliani, Chiara; Hodgson, Kate
Memory, Mobility, and Material Culture
Herausgeber: Giuliani, Chiara; Hodgson, Kate
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With a focus on the object and where it is situated, in time (memory) and space (mobility), Memory, Mobility and Material Culture embodies a multidisciplinary and cross-disciplinary approach.
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With a focus on the object and where it is situated, in time (memory) and space (mobility), Memory, Mobility and Material Culture embodies a multidisciplinary and cross-disciplinary approach.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 248
- Erscheinungstermin: 18. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 517g
- ISBN-13: 9780367631918
- ISBN-10: 0367631911
- Artikelnr.: 65611953
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 248
- Erscheinungstermin: 18. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 517g
- ISBN-13: 9780367631918
- ISBN-10: 0367631911
- Artikelnr.: 65611953
Chiara Giuliani is a lecturer in Italian at University College Cork (Ireland). Kate Hodgson is a lecturer in French at University College Cork (Ireland).
0. Introduction Part I: Moving Testimonies 1. Valijas militantes: Activist
Suitcases and Memories of Exile across the Spanish Speaking World 2.
Migrating Things, Multimodal Forms: 21st-century Graphic Literature and the
Mapping of Global Mobilities Through Objects 3. Why is a Museum a Place to
Rest in Peace? Relicarios by Colombian Artist Erika Diettes Part II: Moving
Homes 4. Rhinos, Photographs and Earrings: Migrating Objects, Memories and
Absences in Ali Farah's Madre piccola (2007) and Scego's La mia casa è dove
sono (2010) 4. Memories of Material Home: Refugee Women's Depiction of
Absent Objects 5. Communicative Memory and Diaspora Space: '...offering my
prayers for all the exiled members of my family' Part III: Moving Designs
6. Material Making, Maritime Movements, Manipulated Memory: Hugo's Design
on Guernsey 7. The Social Role of Jewellery in Italian Short Stories. The
Case of Contessa Lara and Marchesa Colombi 8. Learning from Rural Objects
in 1970s Italy: Radical Design, Zeno Fiaschi's Tools and the Renewal of
Design Practice Part IV: Moving Histories 9. The Smells and Tastes of
Memory: Accessing Transnational Pasts through Material Culture 10. Press
Clipping and Puppet Making as Transcultural Material Practices in the Cuban
Magazine Ultra (1936-1947) 11. Ill-apparent: Things in the Wake of the
Arandora Star
Suitcases and Memories of Exile across the Spanish Speaking World 2.
Migrating Things, Multimodal Forms: 21st-century Graphic Literature and the
Mapping of Global Mobilities Through Objects 3. Why is a Museum a Place to
Rest in Peace? Relicarios by Colombian Artist Erika Diettes Part II: Moving
Homes 4. Rhinos, Photographs and Earrings: Migrating Objects, Memories and
Absences in Ali Farah's Madre piccola (2007) and Scego's La mia casa è dove
sono (2010) 4. Memories of Material Home: Refugee Women's Depiction of
Absent Objects 5. Communicative Memory and Diaspora Space: '...offering my
prayers for all the exiled members of my family' Part III: Moving Designs
6. Material Making, Maritime Movements, Manipulated Memory: Hugo's Design
on Guernsey 7. The Social Role of Jewellery in Italian Short Stories. The
Case of Contessa Lara and Marchesa Colombi 8. Learning from Rural Objects
in 1970s Italy: Radical Design, Zeno Fiaschi's Tools and the Renewal of
Design Practice Part IV: Moving Histories 9. The Smells and Tastes of
Memory: Accessing Transnational Pasts through Material Culture 10. Press
Clipping and Puppet Making as Transcultural Material Practices in the Cuban
Magazine Ultra (1936-1947) 11. Ill-apparent: Things in the Wake of the
Arandora Star
0. Introduction Part I: Moving Testimonies 1. Valijas militantes: Activist
Suitcases and Memories of Exile across the Spanish Speaking World 2.
Migrating Things, Multimodal Forms: 21st-century Graphic Literature and the
Mapping of Global Mobilities Through Objects 3. Why is a Museum a Place to
Rest in Peace? Relicarios by Colombian Artist Erika Diettes Part II: Moving
Homes 4. Rhinos, Photographs and Earrings: Migrating Objects, Memories and
Absences in Ali Farah's Madre piccola (2007) and Scego's La mia casa è dove
sono (2010) 4. Memories of Material Home: Refugee Women's Depiction of
Absent Objects 5. Communicative Memory and Diaspora Space: '...offering my
prayers for all the exiled members of my family' Part III: Moving Designs
6. Material Making, Maritime Movements, Manipulated Memory: Hugo's Design
on Guernsey 7. The Social Role of Jewellery in Italian Short Stories. The
Case of Contessa Lara and Marchesa Colombi 8. Learning from Rural Objects
in 1970s Italy: Radical Design, Zeno Fiaschi's Tools and the Renewal of
Design Practice Part IV: Moving Histories 9. The Smells and Tastes of
Memory: Accessing Transnational Pasts through Material Culture 10. Press
Clipping and Puppet Making as Transcultural Material Practices in the Cuban
Magazine Ultra (1936-1947) 11. Ill-apparent: Things in the Wake of the
Arandora Star
Suitcases and Memories of Exile across the Spanish Speaking World 2.
Migrating Things, Multimodal Forms: 21st-century Graphic Literature and the
Mapping of Global Mobilities Through Objects 3. Why is a Museum a Place to
Rest in Peace? Relicarios by Colombian Artist Erika Diettes Part II: Moving
Homes 4. Rhinos, Photographs and Earrings: Migrating Objects, Memories and
Absences in Ali Farah's Madre piccola (2007) and Scego's La mia casa è dove
sono (2010) 4. Memories of Material Home: Refugee Women's Depiction of
Absent Objects 5. Communicative Memory and Diaspora Space: '...offering my
prayers for all the exiled members of my family' Part III: Moving Designs
6. Material Making, Maritime Movements, Manipulated Memory: Hugo's Design
on Guernsey 7. The Social Role of Jewellery in Italian Short Stories. The
Case of Contessa Lara and Marchesa Colombi 8. Learning from Rural Objects
in 1970s Italy: Radical Design, Zeno Fiaschi's Tools and the Renewal of
Design Practice Part IV: Moving Histories 9. The Smells and Tastes of
Memory: Accessing Transnational Pasts through Material Culture 10. Press
Clipping and Puppet Making as Transcultural Material Practices in the Cuban
Magazine Ultra (1936-1947) 11. Ill-apparent: Things in the Wake of the
Arandora Star