This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.
This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.
Siegwart Reichwald is Associate Professor of Music History at Converse College and conducts the Converse Symphony Orchestra. He is author of The Musical Genesis of Felix Mendelssohn's Paulus. He lives in Spartansburg, South Carolina.
Inhaltsangabe
Contents ForewordChristopher Hogwood 1. Mendelssohn's AudienceDouglass Seaton 2. Mendelssohn and the PianoKenneth Hamilton 3. Mendelssohn and the OrganPeter Ward Jones 4. The Performance of Mendelssohn's Chamber and Solo Music for ViolinClive Brown 5. Mendelssohn and the OrchestraDavid Milsom 6. Mendelssohn as Composer/Conductor: Early Performances of PaulusSiegwart Reichwald 7. From Drawing Room to Theater: Performance Traditions of Mendelssohn's Stage WorksMonika Hennemann 8. Mendelssohn and the Performance of Handel's Vocal WorksRalf Wehner 9. From Notation to Edition to Performance: Issues in InterpretationJohn Michael Cooper 10. Mendelssohn's Tempo IndicationsSiegwart Reichwald 11. "For You See I Am the Eternal Objector": On Performing Mendelssohn's Music in TranslationJohn Michael Cooper List of Contributors Index
Contents ForewordChristopher Hogwood 1. Mendelssohn's AudienceDouglass Seaton 2. Mendelssohn and the PianoKenneth Hamilton 3. Mendelssohn and the OrganPeter Ward Jones 4. The Performance of Mendelssohn's Chamber and Solo Music for ViolinClive Brown 5. Mendelssohn and the OrchestraDavid Milsom 6. Mendelssohn as Composer/Conductor: Early Performances of PaulusSiegwart Reichwald 7. From Drawing Room to Theater: Performance Traditions of Mendelssohn's Stage WorksMonika Hennemann 8. Mendelssohn and the Performance of Handel's Vocal WorksRalf Wehner 9. From Notation to Edition to Performance: Issues in InterpretationJohn Michael Cooper 10. Mendelssohn's Tempo IndicationsSiegwart Reichwald 11. "For You See I Am the Eternal Objector": On Performing Mendelssohn's Music in TranslationJohn Michael Cooper List of Contributors Index
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