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An examination of cyclic form in Mendelssohn's instrumental music and its implications for conceptions of musical time, memory and history.

Produktbeschreibung
An examination of cyclic form in Mendelssohn's instrumental music and its implications for conceptions of musical time, memory and history.
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Autorenporträt
Benedict Taylor is Mellon Postdoctoral Fellow in Music Theory at the Faculty of Music, University of Oxford, Senior Research Fellow of New College and Lecturer in Music at Magdalen College.