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This special issue of Paragraph brings together differing approaches (from a diverse range of disciplines) to the question of the representation of men's bodies in twentieth-century visual culture.
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This special issue of Paragraph brings together differing approaches (from a diverse range of disciplines) to the question of the representation of men's bodies in twentieth-century visual culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Seitenzahl: 290
- Erscheinungstermin: 1. August 2003
- Englisch
- Abmessung: 234mm x 156mm x 24mm
- Gewicht: 590g
- ISBN-13: 9780748619382
- ISBN-10: 0748619380
- Artikelnr.: 35675221
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Edinburgh University Press
- Seitenzahl: 290
- Erscheinungstermin: 1. August 2003
- Englisch
- Abmessung: 234mm x 156mm x 24mm
- Gewicht: 590g
- ISBN-13: 9780748619382
- ISBN-10: 0748619380
- Artikelnr.: 35675221
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Judith Still is Professor of French and Critical Theory and Head of the School of Cultures, Languages and Area Studies at the University of Nottingham. She is the author of Justice and Differences in the Works of Rousseau (CUP, 1993), Feminine Economies: Thinking against the Market in the Enlightenment and the Late Twentieth Century (MUP, 1997), Derrida and Hospitality (EUP, 2010, Gapper Prize winner 2011) and Enlightenment Hospitality (Voltaire Foundation, 2011).
(Re)presenting Masculinities: Introduction to Men's Bodies, JUDITH STILL;
SECTION I: Re-posing Men; Masculinity and Muscularity: Dr Paul Richer and
Modern Manhood, ANTHEA CALLEN; Kitsch and Classicism: the Male Nude in the
20th Century, EDWARD LUCIE-SMITH; Morimura/Duchamp: 'Image Recycling' and
Parody, KERSTIN BRANDES; Show your Wounded Manliness: Promises of Salvation
in the Work of Joseph Beuys, CORINNA TOMBERGER; Tom's Men: the
Masculinization of Homosexuality and the Homosexualization of Masculinity
at the end of the Twentieth Century, GUY SNAITH; Freak Flag: Humour and the
Photography of George Dureau, MELODY D. DAVIS; In Conversation:
Photographer Ajamu and Cultural Critic Anita Naoko Pilgrim, AJAMU X AND
ANITA NAOKO PILGRIM; What is a Man? Looking at the Traces of Men's
Sexuality, Race and Class in the Work of Some Contemporary Photographers,
JUDITH STILL; Fellas in Full Frontal Frolics: Naked Men in For Women
magazine, CLARISSA SMITH; Underexposed: Spectatorship and Pleasure in Men's
Underwear Advertising in the Twentieth Century, PAUL JOBLING; The Language
of Bodybuilding, JEREMY STRONG; 'Support our Boys': AIDS, Nationalism and
the Male Body, JOHN LYNCH; A Genealogical Approach to Idealised Male Body
Imagery, ROSALIND GILL, KAREN HENWOOD AND CARL McLEAN; Section II: Moving
Men: Masculinity and the Moving Image; Reclaiming the Corporeal: The Black
Male Body and the 'Racial' Mountain in Looking for Langston, CHI-YUN SHIN;
Exposing Himself: Sweet Sweetback's Body, DOROTHY C. BROADDUS The W/hole
and the Abject, PHIL POWRIE; Queer Masculinity: The Representation of John
Paul Pitoc's Body in Trick, NIALL RICHARDSON; Racing Forms and the
Exhibition(ist) (Mis)Match: Second Thoughts on the Anxiety of Production,
CALVIN THOMAS; Mainstreaming the Money Shot. Reflections on the
Representation of Ejaculation in Contemporary American Cinema, GREG TUCK;
Homosexual Prototypes: Repetition and the Construction of the Generic in
the Iconography of Gay Pornography, JOHN ME
SECTION I: Re-posing Men; Masculinity and Muscularity: Dr Paul Richer and
Modern Manhood, ANTHEA CALLEN; Kitsch and Classicism: the Male Nude in the
20th Century, EDWARD LUCIE-SMITH; Morimura/Duchamp: 'Image Recycling' and
Parody, KERSTIN BRANDES; Show your Wounded Manliness: Promises of Salvation
in the Work of Joseph Beuys, CORINNA TOMBERGER; Tom's Men: the
Masculinization of Homosexuality and the Homosexualization of Masculinity
at the end of the Twentieth Century, GUY SNAITH; Freak Flag: Humour and the
Photography of George Dureau, MELODY D. DAVIS; In Conversation:
Photographer Ajamu and Cultural Critic Anita Naoko Pilgrim, AJAMU X AND
ANITA NAOKO PILGRIM; What is a Man? Looking at the Traces of Men's
Sexuality, Race and Class in the Work of Some Contemporary Photographers,
JUDITH STILL; Fellas in Full Frontal Frolics: Naked Men in For Women
magazine, CLARISSA SMITH; Underexposed: Spectatorship and Pleasure in Men's
Underwear Advertising in the Twentieth Century, PAUL JOBLING; The Language
of Bodybuilding, JEREMY STRONG; 'Support our Boys': AIDS, Nationalism and
the Male Body, JOHN LYNCH; A Genealogical Approach to Idealised Male Body
Imagery, ROSALIND GILL, KAREN HENWOOD AND CARL McLEAN; Section II: Moving
Men: Masculinity and the Moving Image; Reclaiming the Corporeal: The Black
Male Body and the 'Racial' Mountain in Looking for Langston, CHI-YUN SHIN;
Exposing Himself: Sweet Sweetback's Body, DOROTHY C. BROADDUS The W/hole
and the Abject, PHIL POWRIE; Queer Masculinity: The Representation of John
Paul Pitoc's Body in Trick, NIALL RICHARDSON; Racing Forms and the
Exhibition(ist) (Mis)Match: Second Thoughts on the Anxiety of Production,
CALVIN THOMAS; Mainstreaming the Money Shot. Reflections on the
Representation of Ejaculation in Contemporary American Cinema, GREG TUCK;
Homosexual Prototypes: Repetition and the Construction of the Generic in
the Iconography of Gay Pornography, JOHN ME
(Re)presenting Masculinities: Introduction to Men's Bodies, JUDITH STILL;
SECTION I: Re-posing Men; Masculinity and Muscularity: Dr Paul Richer and
Modern Manhood, ANTHEA CALLEN; Kitsch and Classicism: the Male Nude in the
20th Century, EDWARD LUCIE-SMITH; Morimura/Duchamp: 'Image Recycling' and
Parody, KERSTIN BRANDES; Show your Wounded Manliness: Promises of Salvation
in the Work of Joseph Beuys, CORINNA TOMBERGER; Tom's Men: the
Masculinization of Homosexuality and the Homosexualization of Masculinity
at the end of the Twentieth Century, GUY SNAITH; Freak Flag: Humour and the
Photography of George Dureau, MELODY D. DAVIS; In Conversation:
Photographer Ajamu and Cultural Critic Anita Naoko Pilgrim, AJAMU X AND
ANITA NAOKO PILGRIM; What is a Man? Looking at the Traces of Men's
Sexuality, Race and Class in the Work of Some Contemporary Photographers,
JUDITH STILL; Fellas in Full Frontal Frolics: Naked Men in For Women
magazine, CLARISSA SMITH; Underexposed: Spectatorship and Pleasure in Men's
Underwear Advertising in the Twentieth Century, PAUL JOBLING; The Language
of Bodybuilding, JEREMY STRONG; 'Support our Boys': AIDS, Nationalism and
the Male Body, JOHN LYNCH; A Genealogical Approach to Idealised Male Body
Imagery, ROSALIND GILL, KAREN HENWOOD AND CARL McLEAN; Section II: Moving
Men: Masculinity and the Moving Image; Reclaiming the Corporeal: The Black
Male Body and the 'Racial' Mountain in Looking for Langston, CHI-YUN SHIN;
Exposing Himself: Sweet Sweetback's Body, DOROTHY C. BROADDUS The W/hole
and the Abject, PHIL POWRIE; Queer Masculinity: The Representation of John
Paul Pitoc's Body in Trick, NIALL RICHARDSON; Racing Forms and the
Exhibition(ist) (Mis)Match: Second Thoughts on the Anxiety of Production,
CALVIN THOMAS; Mainstreaming the Money Shot. Reflections on the
Representation of Ejaculation in Contemporary American Cinema, GREG TUCK;
Homosexual Prototypes: Repetition and the Construction of the Generic in
the Iconography of Gay Pornography, JOHN ME
SECTION I: Re-posing Men; Masculinity and Muscularity: Dr Paul Richer and
Modern Manhood, ANTHEA CALLEN; Kitsch and Classicism: the Male Nude in the
20th Century, EDWARD LUCIE-SMITH; Morimura/Duchamp: 'Image Recycling' and
Parody, KERSTIN BRANDES; Show your Wounded Manliness: Promises of Salvation
in the Work of Joseph Beuys, CORINNA TOMBERGER; Tom's Men: the
Masculinization of Homosexuality and the Homosexualization of Masculinity
at the end of the Twentieth Century, GUY SNAITH; Freak Flag: Humour and the
Photography of George Dureau, MELODY D. DAVIS; In Conversation:
Photographer Ajamu and Cultural Critic Anita Naoko Pilgrim, AJAMU X AND
ANITA NAOKO PILGRIM; What is a Man? Looking at the Traces of Men's
Sexuality, Race and Class in the Work of Some Contemporary Photographers,
JUDITH STILL; Fellas in Full Frontal Frolics: Naked Men in For Women
magazine, CLARISSA SMITH; Underexposed: Spectatorship and Pleasure in Men's
Underwear Advertising in the Twentieth Century, PAUL JOBLING; The Language
of Bodybuilding, JEREMY STRONG; 'Support our Boys': AIDS, Nationalism and
the Male Body, JOHN LYNCH; A Genealogical Approach to Idealised Male Body
Imagery, ROSALIND GILL, KAREN HENWOOD AND CARL McLEAN; Section II: Moving
Men: Masculinity and the Moving Image; Reclaiming the Corporeal: The Black
Male Body and the 'Racial' Mountain in Looking for Langston, CHI-YUN SHIN;
Exposing Himself: Sweet Sweetback's Body, DOROTHY C. BROADDUS The W/hole
and the Abject, PHIL POWRIE; Queer Masculinity: The Representation of John
Paul Pitoc's Body in Trick, NIALL RICHARDSON; Racing Forms and the
Exhibition(ist) (Mis)Match: Second Thoughts on the Anxiety of Production,
CALVIN THOMAS; Mainstreaming the Money Shot. Reflections on the
Representation of Ejaculation in Contemporary American Cinema, GREG TUCK;
Homosexual Prototypes: Repetition and the Construction of the Generic in
the Iconography of Gay Pornography, JOHN ME