Merleau-Ponty's Cézanne folds the painter's work into philosophical concepts to unfold how the different nuances of Cézanne's color modulations transcend the limits between thought and body, color and contour, the seeing and the seen. By questioning how Cézanne's doubt that unfolds the infinity of perception, Merleau-Ponty explains how we interpret the world around us as a body that sees but which science tells us is an illusion. In the process, Merleau-Ponty's philosophical concepts transform our perception of both Cézanne's art and Merleau-Ponty's phenomenology. Cézanne's expressions are both intellectually stimulating and philosophically enlightening, leaving a lasting impression. Cézanne, the painter of the seen paints not only what has been. Merleau-Ponty writes of this, the painter's world, a fleeting bliss, of color's dance, of light that shines, of a life that is caught between the lines; the world Cézanne makes real Merleau-Ponty's words reveal.
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