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An award-winning author tells of a mermaid who leaves the sea in search of her landish mother in a captivating tale spun with beautiful prose, lush descriptions, empathy, and keen wit. Blood calls to blood; charm calls to charm. It is the way of the world. Come close and tell us your dreams. Sanna is a mermaid — but she is only half seavish. The night of her birth, a sea-witch cast a spell that made Sanna's people, including her landish mother, forget how and where she was born. Now Sanna is sixteen and an outsider in the seavish matriarchy, and she is determined to find her mother and learn…mehr

Produktbeschreibung
An award-winning author tells of a mermaid who leaves the sea in search of her landish mother in a captivating tale spun with beautiful prose, lush descriptions, empathy, and keen wit. Blood calls to blood; charm calls to charm. It is the way of the world. Come close and tell us your dreams. Sanna is a mermaid — but she is only half seavish. The night of her birth, a sea-witch cast a spell that made Sanna's people, including her landish mother, forget how and where she was born. Now Sanna is sixteen and an outsider in the seavish matriarchy, and she is determined to find her mother and learn who she is. She apprentices herself to the witch to learn the magic of making and unmaking, and with a new pair of legs and a quest to complete for her teacher, she follows a clue that leads her ashore on the Thirty-Seven Dark Islands. There, as her fellow mermaids wait in the sea, Sanna stumbles into a wall of white roses thirsty for blood, a hardscrabble people hungry for miracles, and a baroness who will do anything to live forever. From the author of the Michael L. Printz Honor Book The Kingdom of Little Wounds comes a gorgeously told tale of belonging, sacrifice, fear, hope, and mortality.
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Autorenporträt
Susann Cokal is the author of The Kingdom of Little Wounds, a Michael L. Printz Honor Book. Her work for adults includes novels, short stories and literary criticisms, and has been widely published in literary journals and the New York Times Book Review. An assistant professor at Virginia Commonwealth University, she lives in Richmond, Virginia.
Rezensionen
Juxtaposed against the patriarchal culture wherein Thyrla has amassed and maintained power (one in which rape and infanticide are common), Cokal (The Kingdom of Little Wounds) creates a well-developed matriarchal mermaid mythology in which women couple, bonded by love and respect, and men are largely unnecessary. Through several voices and richly detailed prose, these markedly different worlds overlap and diverge to impart a nuanced exploration of power, family, faith, and love. Publishers Weekly