Mes Memoires, Part 11-12 (1852) - Dumas, Alexandre
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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Produktbeschreibung
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
French author and playwright Alexandre Dumas fils is best known for his romantic novel La Dame aux Camélias (The Lady of the Camellias), published in 1848. Giuseppe Verdi adapted it into his opera La traviata (The Fallen Woman), which debuted in 1853. Other notable works by Dumas fils include a number of stage and film adaptations, which are usually titled Camille in English-language adaptations. The playwright Alexandre Dumas père ("father"), the author of classic works including The Three Musketeers and The Count of Monte Cristo, was the father of Dumas fils (French for "son"). Dumas fils received the Légion d'honneur (Legion of Honour) in 1894 after being accepted into the Académie française (French Academy) in 1874. The illegitimate child of tailor Marie-Laure-Catherine Labay (1794-1868) and novelist Alexandre Dumas, Dumas was born in Paris, France. His father gave him official recognition in 1831 and made sure the young Dumas attended the Collège Bourbon and the Institution Goubaux for the greatest education available. The elder Dumas was then permitted by law to remove the child from his mother. The younger Dumas was driven to write about sad female characters by her anguish.