This innovative visual ethnography examines diverse forms of self-reference and metareference that appear in Latin American graffiti art. Focusing on graffiti scenes from São Paulo, Brazil and Santiago in Chile, Chandra Morrison Ariyo shows how practitioners use metagraffiti features to influence public perceptions about this artform and its effect on the urban environment.
This innovative visual ethnography examines diverse forms of self-reference and metareference that appear in Latin American graffiti art. Focusing on graffiti scenes from São Paulo, Brazil and Santiago in Chile, Chandra Morrison Ariyo shows how practitioners use metagraffiti features to influence public perceptions about this artform and its effect on the urban environment.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
CHANDRA MORRISON ARIYO is a visiting research fellow in the Department of Geography and Environment at the London School of Economics and Political Science.
Inhaltsangabe
Chapter 1: Metagraffiti: Envisioning a Concept Chapter 2: Urban Image: Painting (in) the Latin American City Chapter 3: Signature Wordplay: Self-Naming, Misspelling, and Rewriting the Social Order Chapter 4: Figurative Threat: Stigma Embodiment and Graffiti's Violent Characterization Chapter 5: Reflective Structures: On Murals and Mirroring in the Spatial Imagination Chapter 6: Painting Pollution: Cleaning the City and Recycling Social Values with Street Art Chapter 7: Graffiti Intimacies: Seeing the City in Color 1 METAGRAFFITI Envisioning a Concept 1 2 URBAN IMAGE Painting (in) the Latin American City 23 3 SIGNATURE WORDPLAY Self-naming, Mis-spelling, and Re-writing the Social Order 67 4 F FIGURATIVE THREAT Stigma Embodiment and Graffiti's Violent Characterization 93 5 REFLECTIVE STRUCTURES On Murals and Mirroring in the Spatial Imagination 125 6 PAINTING POLLUTION Cleaning the City and Recycling Social Values with Street Art 153 7 GRAFFITI INTIMACIES Seeing the City in Color 175 Acknowledgments 183 Notes 187 References 191 Index 000
Chapter 1: Metagraffiti: Envisioning a Concept Chapter 2: Urban Image: Painting (in) the Latin American City Chapter 3: Signature Wordplay: Self-Naming, Misspelling, and Rewriting the Social Order Chapter 4: Figurative Threat: Stigma Embodiment and Graffiti's Violent Characterization Chapter 5: Reflective Structures: On Murals and Mirroring in the Spatial Imagination Chapter 6: Painting Pollution: Cleaning the City and Recycling Social Values with Street Art Chapter 7: Graffiti Intimacies: Seeing the City in Color 1 METAGRAFFITI Envisioning a Concept 1 2 URBAN IMAGE Painting (in) the Latin American City 23 3 SIGNATURE WORDPLAY Self-naming, Mis-spelling, and Re-writing the Social Order 67 4 F FIGURATIVE THREAT Stigma Embodiment and Graffiti's Violent Characterization 93 5 REFLECTIVE STRUCTURES On Murals and Mirroring in the Spatial Imagination 125 6 PAINTING POLLUTION Cleaning the City and Recycling Social Values with Street Art 153 7 GRAFFITI INTIMACIES Seeing the City in Color 175 Acknowledgments 183 Notes 187 References 191 Index 000
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